
"A Spook-tacular Comedy of Terror!"
The Haunted House follows Buster Keaton as a bank clerk who gets caught up in a robbery attempt at his workplace. After being mistakenly identified as one of the robbers, he flees and takes refuge in what appears to be a haunted mansion. Unbeknownst to him, the 'haunting' is actually a scheme by a group of counterfeiters who use the spooky effects to scare away unwanted visitors. Meanwhile, a theatrical troupe of actors specializing in ghost performances has also taken up residence in the house, leading to a series of comedic misunderstandings and elaborate physical comedy sequences as Buster navigates between the real criminals and the fake ghosts.
The film featured innovative special effects for its time, including early use of matte paintings and trick photography to create ghostly apparitions. The haunted house set was one of the most elaborate and expensive sets Keaton had built to date. The famous staircase sequence where Buster slides down the railing and through multiple floors required precise timing and engineering.
The Haunted House was released during the golden age of silent comedy, a period when Buster Keaton was at the height of his creative powers. 1921 was a significant year in cinema, marking the transition from short films to feature-length productions. The film reflected the post-World War I fascination with spiritualism and the supernatural, which was rampant in American society during the early 1920s. This cultural phenomenon, combined with the public's love of slapstick comedy, made The Haunted House particularly relevant to contemporary audiences. The film also emerged during a time when technical innovations in cinema were rapidly advancing, allowing filmmakers like Keaton to experiment with more sophisticated special effects and complex visual gags.
The Haunted House holds an important place in cinema history as one of the earliest successful horror-comedies, a genre that would gain immense popularity in later decades. The film demonstrated Buster Keaton's mastery of blending different genres while maintaining his signature deadpan comedy style. Its innovative use of special effects influenced countless future filmmakers in both comedy and horror genres. The film's success helped establish the haunted house as a recurring trope in cinema, appearing in countless films across various genres. Keaton's approach to physical comedy in this film, particularly his use of architecture and environment as comic devices, has been studied and emulated by comedians and filmmakers for generations. The film also represents a significant milestone in the evolution of visual effects in cinema, showcasing techniques that would become standard practice in the industry.
The production of The Haunted House was particularly challenging due to its ambitious special effects and elaborate set design. Keaton and his team spent weeks constructing the multi-level haunted house set, complete with secret passages, trap doors, and a complex spiral staircase. The famous scene where Buster slides down the staircase railing required multiple takes and precise engineering to ensure his safety. The film's ghost effects were created using a combination of double exposure, matte paintings, and actors on wires, techniques that were revolutionary for the time. Keaton's perfectionist nature meant he rehearsed each gag extensively, often spending days perfecting a single physical comedy sequence. The theatrical troupe subplot was added late in production to provide additional comic relief and to explain some of the 'supernatural' occurrences.
The cinematography in The Haunted House was handled by Elgin Lessley, Keaton's regular cameraman. The film features innovative camera techniques for its time, including unusual angles and movements that enhance the comedic effect. Lessley employed creative lighting techniques to create the spooky atmosphere while maintaining visibility for the physical comedy. The famous staircase sequence was particularly challenging to film, requiring precise camera placement to capture Keaton's movements through multiple levels of the set. The film's ghost effects were achieved through sophisticated double exposure techniques that required exact timing and camera work. The cinematography successfully balances the horror elements with the comedy, using shadows and lighting to create atmosphere without obscuring the visual gags.
The Haunted House was technically ambitious for its time, featuring several innovations in special effects and set design. The film's ghost effects were created using sophisticated double exposure techniques that were cutting-edge in 1921. The elaborate haunted house set featured working trap doors, secret passages, and a complex multi-level staircase that allowed for intricate physical comedy sequences. The film also made innovative use of matte paintings to extend the sets and create the illusion of larger spaces. Keaton's team developed new techniques for creating floating objects and other supernatural phenomena that would influence special effects work for decades. The film's production design was particularly notable for its attention to detail and its integration of the comedy into the very architecture of the sets.
As a silent film, The Haunted House was originally presented with live musical accompaniment that varied by theater. Typical scores included popular songs of the era as well as classical pieces chosen to match the mood of each scene. Modern restorations have been scored by various composers, including some who specialize in silent film accompaniment. The most common modern scores use a combination of period-appropriate music and original compositions that enhance both the comedic and horror elements. Some contemporary screenings feature live organ or piano accompaniment, continuing the tradition of silent film exhibition. The music plays a crucial role in the film's effectiveness, providing cues for both scares and laughs.
While silent, the film features intertitle cards including: 'The First National Bank is being robbed by a gang of desperate men!'
Intertitle: 'He seeks refuge in a haunted house - not knowing that ghosts are the least of his troubles'
Intertitle: 'The counterfeiters have their own way of making money'
Intertitle: 'Meanwhile, in another part of the house...'
Intertitle: 'A theatrical troupe specializing in spooks has taken up residence'
Contemporary critics praised The Haunted House for its inventive gags and technical achievements. Variety magazine called it 'one of Keaton's most clever productions' and specifically noted the impressive special effects. The New York Times highlighted Keaton's 'remarkable athletic ability and comic timing' in their review. Modern critics have come to appreciate the film even more, with many considering it a masterpiece of silent comedy. The film is frequently cited in academic studies of early cinema for its innovative techniques and genre-blending approach. Critics today particularly praise the film's sophisticated use of architecture and space in its comedy, noting how Keaton turns the haunted house itself into a character in the film.
The Haunted House was a commercial success upon its release, drawing large audiences to theaters across the United States. Contemporary audience reports indicate that viewers were particularly impressed by the film's special effects and elaborate production values. The film's blend of scares and laughs proved especially popular with audiences, who found the combination thrilling and entertaining. Modern audiences continue to appreciate the film, with it regularly screening at film festivals and classic cinema events. The film has maintained its appeal over the decades, with new generations discovering Keaton's genius through this and other works. Online film databases show consistently high ratings from viewers, who praise the film's creativity and timeless humor.
The Haunted House is well-preserved with multiple copies existing in film archives worldwide. The film has been restored by various organizations including the Cohen Film Collection and the Museum of Modern Art. A high-quality restoration was released on Blu-ray in 2018 as part of The Buster Keaton Collection. The original nitrate negatives have been preserved at the Library of Congress, ensuring the film's survival for future generations. Several complete 35mm prints exist in archives around the world, and the film is readily available in digital formats.