
Actor & Director
Edward F. Cline began his career in the film industry during the early 1910s as an actor in Mack Sennett comedies, appearing alongside stars like Charlie Chaplin and Mabel Normand. He transitioned to directing around 1916 and quickly established himself as a skilled comedy director, working with some of the biggest names in silent comedy. His most significant collaboration was with Buster Keaton, co-directing and directing many of Keaton's most celebrated short films between 1920-1923, including classics like 'The Scarecrow,' 'Convict 13,' and 'The Boat.' After his partnership with Keaton ended, Cline continued directing throughout the 1920s and 1930s, working with comedians like W.C. Fields and the Marx Brothers. He successfully made the transition to sound films, though his later work never quite matched the creative heights of his silent era achievements. Cline directed over 100 films during his career, showcasing remarkable versatility across different comedy styles. He retired from directing in the mid-1930s after a career spanning over two decades, leaving behind a legacy of influential comedy films that helped shape the golden age of Hollywood comedy.
As an actor, Cline specialized in physical comedy and supporting roles in silent shorts, often playing the straight man or comic foil to larger stars. His acting was characterized by exaggerated expressions and pratfalls typical of the Mack Sennett comedy style, with a particular talent for timing and physical gags that later informed his directing work.
Cline's directing style was marked by meticulous planning of visual gags, innovative camera techniques, and exceptional timing in physical comedy sequences. He had a keen eye for spatial relationships and was particularly skilled at orchestrating complex chase scenes and mechanical gags. His collaboration with Buster Keaton produced some of the most technically sophisticated comedies of the silent era, featuring elaborate props and precisely timed stunts.
Edward F. Cline's work with Buster Keaton helped define the golden age of silent comedy, creating films that continue to influence comedy directors today. His technical innovations in camera work and gag construction pushed the boundaries of what was possible in visual comedy. The films he co-directed with Keaton are now considered masterpieces of cinematic art, studied in film schools worldwide for their perfect timing and inventive visual humor. His ability to seamlessly blend physical comedy with narrative storytelling helped establish conventions that would dominate Hollywood comedy for decades.
Cline's legacy lives on through the timeless comedy classics he created with Buster Keaton, which continue to entertain audiences over a century later. His directorial techniques and gag constructions influenced generations of comedy filmmakers, from Jacques Tati to modern physical comedians. The precision and creativity of his work helped elevate silent comedy from simple slapstick to sophisticated cinematic art. While often overshadowed by his more famous collaborators, film historians recognize Cline as a crucial architect of some of the most influential comedies ever made.
Cline's innovative approach to visual comedy and technical filmmaking influenced countless directors who followed. His work on complex mechanical gags and chase sequences set standards that would be emulated throughout Hollywood's golden age. Directors like Jacques Tati, Chuck Jones, and even modern filmmakers like Edgar Wright have drawn inspiration from the precise timing and visual wit that Cline helped perfect. His collaboration method with Keaton, allowing the star creative freedom while maintaining technical control, became a model for director-star partnerships in comedy.
Edward F. Cline married actress and screenwriter Eva Thatcher in 1917, and their marriage lasted until her death in 1957. The couple had no children. Cline was known as a quiet, professional director who preferred to let his work speak for itself. He lived in Hollywood for most of his career and was well-respected within the industry for his technical expertise and reliability. After retiring from directing, he lived a relatively private life until his death from a heart attack in 1961 at the age of 74.
Limited formal education, largely self-taught in filmmaking through practical experience in the early film industry
In comedy, timing isn't everything - it's the only thing
The best gags are the ones that look simple but took weeks to plan
Working with Keaton was like being a chess partner to a grandmaster
Edward F. Cline was an American actor and director who worked during the silent era and early sound period. He is best known for his collaborations with Buster Keaton, co-directing many of Keaton's classic short films that are now considered masterpieces of silent comedy.
Cline is best known for directing Buster Keaton classics including 'The Scarecrow' (1920), 'Convict 13' (1920), 'The Boat' (1921), 'Cops' (1922), and 'The Electric House' (1922). He also worked with W.C. Fields and contributed to the Marx Brothers' 'Duck Soup'.
Edward F. Cline was born on November 24, 1886, in Kenosha, Wisconsin, and died on May 22, 1961, in Hollywood, California, at the age of 74.
While Edward F. Cline did not receive major awards during his lifetime, he was honored with a star on the Hollywood Walk of Fame for his significant contributions to motion pictures, particularly in the comedy genre.
Cline's directing style was characterized by meticulous planning of visual gags, exceptional timing in physical comedy, and innovative camera techniques. He excelled at orchestrating complex chase sequences and mechanical gags, particularly evident in his collaborations with Buster Keaton where technical precision met creative humor.
30 films





























