
Director
Abbas Kiarostami was an Iranian film director, screenwriter, photographer, and film producer who emerged as one of the most influential filmmakers in world cinema during the late 20th century. Born in Tehran in 1940, he began his career in the 1960s working at the Center for Intellectual Development of Children and Young Adults, where he made numerous short films. His feature film debut came with 'The Report' in 1977, followed by the acclaimed 'Where Is the Friend's House?' in 1987, which became part of his celebrated Koker trilogy. Kiarostami gained international recognition with 'Close-Up' (1990), a groundbreaking documentary-fiction hybrid that showcased his innovative approach to storytelling. His masterpiece 'A Taste of Cherry' (1997) won the prestigious Palme d'Or at the Cannes Film Festival, cementing his status as a master of cinema. Throughout his career, he continued to push boundaries with films like 'The Wind Will Carry Us' (1999), 'Ten' (2002), and 'Certified Copy' (2010), which was his first film made outside Iran. Kiarostami's work is characterized by its poetic humanism, philosophical depth, and revolutionary blurring of documentary and fiction.
Kiarostami's directing style is characterized by poetic minimalism, philosophical contemplation, and innovative narrative structures. He frequently employed non-professional actors, improvisation, and long takes to create authentic human moments. His films often blur the boundaries between documentary and fiction, using meta-cinematic techniques to explore the nature of reality and representation. Kiarostami was known for his use of landscape as character, particularly the Iranian countryside, and his distinctive use of car interiors as framing devices. His approach emphasized humanism, everyday life, and the search for meaning in ordinary experiences.
Abbas Kiarostami revolutionized world cinema by introducing Iranian film to international audiences and challenging conventional narrative structures. His work demonstrated that profound philosophical themes could be explored through simple, everyday stories, influencing filmmakers globally. Kiarostami's innovative blending of documentary and fiction techniques opened new possibilities for cinematic expression, particularly in art house cinema. His success at major international film festivals helped establish Iranian cinema as a major force in world cinema, inspiring a generation of Iranian filmmakers and bringing attention to Iranian culture and society. His films often explored universal themes of life, death, and human connection while maintaining distinctly Iranian cultural contexts.
Kiarostami's legacy endures through his profound influence on contemporary cinema and his role as a cultural ambassador for Iran. His films continue to be studied in film schools worldwide for their innovative techniques and philosophical depth. The 'Kiarostami style'—characterized by poetic minimalism, non-professional actors, and blurred reality—has influenced countless directors across different cultures. His success paved the way for other Iranian filmmakers to gain international recognition, and his humanistic approach to storytelling demonstrated the power of cinema to bridge cultural divides. Many of his former assistants and collaborators have become successful directors themselves, continuing his artistic vision.
Kiarostami influenced filmmakers including Jim Jarmusch, Michael Winterbottom, Nuri Bilge Ceylan, and Jia Zhangke. His documentary-fiction hybrid approach inspired the Dogme 95 movement in Denmark and influenced contemporary reality-based filmmaking. His use of long takes and minimal intervention influenced directors like Andrei Tarkovsky and Theo Angelopoulos. The Iranian New Wave cinema movement that he helped create has influenced filmmakers across Asia, the Middle East, and beyond. His later work with digital cameras in 'Ten' pioneered new approaches to intimate filmmaking that have influenced smartphone and digital cinema aesthetics.
Kiarostami was known for being intensely private about his personal life, preferring to let his work speak for itself. He was married twice, first to Parvin Amir-Gholi, with whom he had two sons, Ahmad and Bahman. After their divorce, he married Zahra Keshavarz. Despite his international acclaim, Kiarostami remained closely connected to his Iranian roots and continued to live in Tehran for most of his life. He was also an accomplished photographer and poet, publishing several books of his work. In his later years, he taught filmmaking workshops around the world and mentored younger directors.
Studied Fine Arts at University of Tehran, graduated 1963; attended School of Dramatic Arts in Tehran
Cinema is a window that looks out onto a world that is both real and imagined.
I don't make films to give lessons, I make films to ask questions.
The best films are like poems—they leave space for interpretation.
In life, we don't always get what we want. In my films, we don't either.
I'm more interested in what happens between people than what happens to them.
Every film is a documentary of its own making.
Abbas Kiarostami was an internationally acclaimed Iranian film director, screenwriter, and photographer known for his poetic and philosophical approach to cinema. He emerged as one of the most influential filmmakers in world cinema, winning the Palme d'Or at Cannes and earning an honorary Academy Award for his contributions to film art.
Kiarostami is best known for 'A Taste of Cherry' (1997), which won the Palme d'Or, 'Close-Up' (1990), his groundbreaking documentary-fiction hybrid, the Koker trilogy including 'Where Is the Friend's House?' (1987), 'The Wind Will Carry Us' (1999), and his later international productions 'Ten' (2002) and 'Certified Copy' (2010).
Abbas Kiarostami was born on June 22, 1940, in Tehran, Iran, and died on July 4, 2016, in Paris, France, at the age of 76 after battling cancer.
Kiarostami won numerous major awards including the Palme d'Or at Cannes for 'A Taste of Cherry' (1997), the Grand Prix du Jury at Cannes, an honorary Academy Award in 2012, the honorary Golden Bear at Berlin, and the Silver Lion at Venice. He was the first Iranian filmmaker to receive such international recognition.
Kiarostami's directing style was characterized by poetic minimalism, philosophical depth, and innovative blending of documentary and fiction. He frequently used non-professional actors, long takes, and everyday settings to explore universal themes. His films often featured car interiors as framing devices and used the Iranian landscape as a metaphorical character.
4 films