
Actor & Director
Ubbe Ert Iwerks, known professionally as Ub Iwerks, was a revolutionary American animator, cartoonist, and technical innovator whose contributions fundamentally shaped animation history. Born in Kansas City, Missouri, Iwerks met Walt Disney in 1919 at the Pesmen-Rubin Commercial Art Studio, beginning one of cinema's most significant creative partnerships. As Disney's primary animator during the studio's formative years, Iwerks single-handedly animated the first Mickey Mouse cartoons and developed the character's iconic design after Disney lost the rights to Oswald the Lucky Rabbit. Known for his astonishing speed—reportedly capable of producing up to 700 drawings per day—Iwerks created the animation for landmark shorts including 'Steamboat Willie' (1928), the first cartoon with synchronized sound. After a falling out with Disney in 1930, he established his own studio, creating the 'Flip the Frog' and 'Willie Whopper' series, though these never achieved Mickey's popularity. Iwerks returned to Disney in 1940, shifting his focus to technical innovation and special effects, where he revolutionized processes for combining live-action and animation in films like 'Song of the South' (1946) and 'Mary Poppins' (1964). His career spanned five decades, earning him two Academy Awards and cementing his legacy as both an artistic pioneer and technical genius whose innovations continue to influence animation today.
Iwerks' directing style was characterized by bold, fluid animation and innovative visual gags. His cartoons featured exaggerated physical comedy, dynamic movement, and experimental techniques that pushed the boundaries of what was possible in early animation. His independent work at Iwerks Studio often showcased surreal, dreamlike sequences and sophisticated visual effects that were ahead of their time.
Ub Iwerks' impact on animation and cinema cannot be overstated. As the co-creator and primary animator of Mickey Mouse, he helped establish one of the most iconic characters in global popular culture, fundamentally changing the entertainment landscape. His technical innovations, particularly in special effects and animation techniques, revolutionized how animated and live-action films were produced, making previously impossible visual effects achievable. The development of the multiplane camera and advanced matte techniques under his guidance elevated animation from novelty to art form, influencing countless animators and filmmakers. His work on combining live-action and animation in films like 'Mary Poppins' created new cinematic possibilities that continue to inspire contemporary filmmakers. Iwerks' dedication to technical excellence and artistic innovation helped establish animation as a legitimate and respected medium in Hollywood, paving the way for the modern animation industry.
Ub Iwerks' legacy endures through both the characters he created and the technologies he developed. Mickey Mouse, his most famous creation, remains one of the world's most recognized and beloved characters, generating billions in revenue annually for Disney. His technical innovations in special effects and animation processes continue to influence modern filmmaking, with many of his techniques still in use today, albeit in digital form. The Iwerks Entertainment company, founded by his son Don, continues his legacy of technical innovation in entertainment technology. Animation historians and professionals recognize Iwerks as one of the medium's true pioneers, with his work studied in film schools worldwide. His story represents both the creative genius behind animation's golden age and the crucial role of technical innovation in advancing artistic expression in cinema.
Iwerks influenced generations of animators through his innovative techniques and artistic approach. His rapid drawing methods and fluid animation style set standards for quality and efficiency that studios still emulate. The technical processes he developed for combining animation and live-action directly influenced filmmakers from Steven Spielberg to Robert Zemeckis. His work on the multiplane camera inspired Pixar's approach to creating depth in digital animation. Many legendary animators, including Chuck Jones and Tex Avery, cited Iwerks' early work as inspiration. His emphasis on technical innovation as a means to artistic expression influenced the development of computer animation and modern visual effects. The Iwerks family's continued work in entertainment technology ensures his influence extends into contemporary cinema and theme park attractions.
Ub Iwerks married Mildred Sarah Henderson in 1927, and they remained married until her death in 1969. The couple had two children: David Iwerks and Don Iwerks, with Don following in his father's footsteps as a Disney technical innovator. Iwerks was known as a quiet, unassuming man who preferred working behind the scenes to seeking the spotlight. Despite his massive contributions to animation and film technology, he rarely gave interviews and maintained a low public profile throughout his life. He died of a heart attack at age 70 in Burbank, California, leaving behind an unparalleled legacy in animation history.
Attended Kansas City's Northeast High School but left before graduation to work full-time in commercial art. His formal education was limited, but he received extensive on-the-job training in animation and technical processes throughout his career.
Animation can explain whatever the mind of man can conceive. This facility makes it the most versatile and explicit means of communication yet devised for quick mass appreciation.
I don't have time to be a celebrity. I've got work to do.
The secret to good animation is not in the drawing itself, but in the movement between the drawings.
Walt was the dreamer, I was the one who had to make it work on paper.
Every frame is a new challenge. You're not just drawing pictures, you're creating life one drawing at a time.
Ub Iwerks was a pioneering American animator and technical innovator who co-created Mickey Mouse with Walt Disney. He was Disney's primary animator during the studio's formative years and later revolutionized special effects in filmmaking. His innovations in animation technology and techniques fundamentally shaped both the Disney studio and the entire animation industry.
Iwerks is best known for animating the first Mickey Mouse cartoons including 'Steamboat Willie' (1928), 'Plane Crazy' (1928), and 'The Gallopin' Gaucho' (1928). He also created the Flip the Frog series at his own studio and later worked on special effects for Disney classics like 'Song of the South' (1946) and 'Mary Poppins' (1964). His technical innovations were crucial to films like '20,000 Leagues Under the Sea' (1954).
Ub Iwerks was born on March 24, 1901, in Kansas City, Missouri, and died on July 7, 1971, in Burbank, California, at the age of 70. His career spanned over five decades, from his early work with Walt Disney in the 1920s through his technical innovations at Disney in the 1960s.
Ub Iwerks won two Academy Awards for Technical Achievement, one in 1959 for improving animation transfer processes and another in 1965 for color traveling matte cinematography. He also received the Winsor McCay Award for lifetime achievement in animation in 1970 and was posthumously inducted as a Disney Legend in 1989. Additionally, he has a star on the Hollywood Walk of Fame.
Iwerks' directing style emphasized bold, fluid animation and innovative visual gags. His cartoons featured exaggerated physical comedy, dynamic movement, and experimental techniques that pushed animation boundaries. His independent work often showcased surreal, dreamlike sequences and sophisticated visual effects that were ahead of their time, demonstrating his willingness to experiment with both artistic and technical possibilities.
Yes, Ub Iwerks co-created Mickey Mouse with Walt Disney in 1928. While Disney conceived the character concept, Iwerks designed Mickey's iconic appearance and animated the first cartoons almost entirely by himself. He was responsible for the character's distinctive circular design that made him easier to animate and more appealing to audiences.
Iwerks left Disney in 1930 reportedly due to a contract dispute and feeling underappreciated despite his crucial role in the studio's success. He was offered a lucrative contract to start his own studio by a distributor who wanted to compete with Disney. His independent studio produced the Flip the Frog and Willie Whopper series but struggled financially, leading to his return to Disney in 1940.
Iwerks developed numerous technical innovations including improved methods for transferring animation to film, advanced matte photography techniques for combining live-action and animation, and special camera systems for underwater filming. He worked on the xerographic process used in '101 Dalmatians' and developed processes for the multiplane camera. His innovations were crucial to Disney's technical advancement in both animation and live-action films.
7 films