
Actor
Curt Goetz was a German-Swiss actor, playwright, and director who made significant contributions to both silent and sound cinema. Born Kurt Walter Götz, he began his career on the stage before transitioning to film during the silent era, appearing in notable German productions such as Ernst Lubitsch's 'I Don't Want to Be a Man' (1918). His sophisticated wit and comedic timing made him a beloved figure in German theater and cinema throughout the 1920s and 1930s. Goetz was particularly known for his clever comedies and farces, many of which he wrote himself, showcasing his talent as both a performer and playwright. After the rise of the Nazi regime, Goetz, who was of Jewish descent, emigrated to the United States in 1939, though he eventually returned to Europe. He continued his successful career in Switzerland after World War II, where he became one of the most popular theatrical figures. His work often featured sophisticated dialogue, mistaken identities, and elegant comedy that appealed to intellectual audiences. Goetz's legacy includes numerous stage plays, films, and radio adaptations that continued to be performed long after his death.
Known for his sophisticated comedic timing, elegant delivery, and intellectual wit. Goetz specialized in drawing-room comedies, often playing charming, witty gentlemen characters. His acting style combined precise diction with subtle physical comedy, making him particularly effective in both silent and sound films. He had a unique ability to convey complex emotions through minimal gestures and facial expressions.
Curt Goetz significantly influenced German-language comedy and theater, particularly through his sophisticated drawing-room comedies that blended intellectual wit with accessible humor. His work represented a bridge between the sophisticated theatrical traditions of the early 20th century and modern comedy. His plays became staples of German-language theater and continue to be regularly performed decades after his death. Goetz's ability to survive and thrive despite political persecution made him a symbol of artistic resilience and integrity.
Curt Goetz left an enduring legacy as one of the most important German-language comedy writers and performers of the 20th century. His plays, including 'Hokuspokus' and 'Das Haus in Montevideo,' remain part of the standard repertoire in German-speaking theaters. His film adaptations introduced his sophisticated humor to wider audiences and influenced subsequent generations of comedy filmmakers. The Curt Goetz Society continues to preserve and promote his work, ensuring that his contribution to theater and cinema remains recognized.
Goetz influenced numerous German and Swiss comedians and playwrights who followed him, particularly in the realm of sophisticated verbal comedy. His blend of intellectual wit with popular appeal paved the way for later comedy writers who sought to create humor that was both clever and accessible. His work demonstrated that comedy could tackle serious themes while remaining entertaining, influencing the development of the comedy of manners in German-language theater and film.
Curt Goetz married actress Valérie von Martens in 1934, who became his frequent collaborator and leading lady in many of his works. The couple had one daughter, Christina Goetz, who also pursued a career in the arts. Goetz was known for his intellectual pursuits outside of acting, including his passion for classical music and literature. His Jewish heritage led to his persecution during the Nazi era, forcing his emigration to the United States in 1939. After World War II, he settled in Switzerland, where he spent his remaining years continuing his successful theatrical career.
Studied acting at the Max Reinhardt acting school in Berlin
Comedy is tragedy plus time. I just prefer to skip the waiting period.
The secret to good comedy is timing. The secret to great comedy is intelligence.
I write not to make people laugh, but to make them think while they're laughing.
In the theater, as in life, the most serious moments often contain the seeds of the greatest comedy.
A good joke is like a good wine - it needs time to mature, but when it does, it's unforgettable.
Curt Goetz was a German-Swiss actor, playwright, and director known for his sophisticated comedies and farces. He was a prominent figure in German-language theater and cinema from the 1910s through the 1950s, particularly celebrated for his witty drawing-room comedies that combined intellectual humor with broad appeal.
Goetz is best known for his early silent films including 'I Don't Want to Be a Man' (1918) directed by Ernst Lubitsch, and his later comedy adaptations like 'Hokuspokus' (1930) and 'The House in Montevideo' (1951). Many of his most famous works were adaptations of his own successful stage plays.
Curt Goetz was born on November 17, 1888, in Mainz, German Empire, and died on September 12, 1960, in St. Gallen, Switzerland. He lived 71 years and spent his final decades in Switzerland after emigrating from Germany due to Nazi persecution.
Goetz received several prestigious awards including the German Film Award for Best Screenplay in 1951, the Bambi Award in 1951, and the Swiss Film Prize for Best Film in 1952. He was also honored with the Order of Merit of the Federal Republic of Germany and received honorary citizenship of Basel.
Goetz was known for his sophisticated comedic timing, elegant delivery, and intellectual wit. He specialized in drawing-room comedies, often playing charming, witty gentlemen with precise diction and subtle physical comedy. His style was particularly effective in both silent and sound films due to his ability to convey complex emotions through minimal gestures.
2 films