
The film follows the classic tale of Alibaba, a poor woodcutter who accidentally discovers the secret cave of forty thieves and their hidden treasure by overhearing their magical password 'Open Sesame.' After sharing the secret with his greedy brother Kasim, tragedy strikes when Kasim gets trapped and killed inside the cave after forgetting the exit password. The cunning thief leader Abu Hussain, disguised as a merchant, devises a plan to eliminate Alibaba by delivering forty barrels to his house, each concealing one of his men. Alibaba, with the help of his clever wife and loyal servant, must outwit the thieves through wit and courage to protect his family and the treasure.
This was one of the major productions from Modern Theatres studio, which was known for its elaborate sets and grand productions. The film featured extensive set pieces including the famous cave entrance and detailed costumes that brought the Arabian setting to life in Tamil cinema.
The film was released during a golden period of Tamil cinema when the industry was transitioning from stage-influenced productions to more technically sophisticated films. The 1950s saw the rise of M.G. Ramachandran as a major star who would later become a political icon. This film came at a time when Indian cinema was exploring diverse genres beyond social dramas, and fantasy films were gaining popularity. The post-independence era saw a boom in regional cinema with studios like Modern Theatres competing with Bombay productions.
This film played a crucial role in establishing the fantasy genre in Tamil cinema and demonstrated that regional productions could match the grandeur of Bombay films. It contributed to MGR's growing legend as a cultural icon and helped solidify the star system in South Indian cinema. The film's success showed that audiences were ready for escapist entertainment alongside social messages. It also preserved the Arabian Nights tales for South Indian audiences, introducing these classic stories to new generations through cinema.
The production took nearly a year to complete due to the elaborate sets and special effects required for the fantasy sequences. Modern Theatres invested heavily in creating realistic cave interiors and magical elements. The fight sequences were choreographed over several weeks, with MGR performing many of his own stunts. The film's music was recorded using live orchestration, which was standard practice at the time. The production faced challenges in creating the illusion of the magical cave opening, which was achieved through clever camera work and set design.
The cinematography by R. R. Chandran employed innovative techniques for the time, including special effects shots for the magical cave sequences. The film used dramatic lighting to create the mysterious atmosphere of the thieves' cave and employed wide shots to showcase the elaborate sets. The action sequences were filmed with dynamic camera movements that were advanced for Tamil cinema of the 1950s.
The film was notable for its special effects, particularly the cave opening sequence which was achieved through mechanical sets and camera tricks. The production design created elaborate palace and cave sets that were unprecedented in Tamil cinema at the time. The fight choreography incorporated elements of traditional Indian martial arts with cinematic flair.
The music was composed by G. Ramanathan, one of the most respected music directors of the era. The soundtrack featured a mix of classical Tamil music with Arabian-inspired melodies to match the film's setting. The songs were sung by prominent playback singers of the time including P. Leela and T. M. Soundararajan. The background score effectively enhanced the magical and suspenseful elements of the story.
Contemporary critics praised the film's technical achievements and grand scale, noting it as a milestone in Tamil cinema production values. The performances of MGR and Bhanumathi were particularly well-received. Modern critics have recognized the film as an important precursor to the big-budget fantasy films that would follow in Indian cinema. The film is often cited in retrospectives of MGR's career as an example of his versatility before he became primarily known for social message films.
The film was a major commercial success, running for over 100 days in many theaters across Tamil Nadu. It was particularly popular among family audiences and children. The magical elements and action sequences made it a favorite during festival releases. The film's dialogues and catchphrases entered popular culture, with the 'Open Sesame' phrase becoming widely recognized even among those who hadn't seen the film. Audience response helped establish fantasy as a viable commercial genre in Tamil cinema.