
"Two Crooks vs. One Fake Psychic - May the Best Swindler Win!"
In this classic Harold Lloyd comedy short, Harold and his partner Snub Pollard play a pair of small-time con artists who encounter Miss Goulash, a fraudulent psychic medium, and her supposed professor father. The duo attempt to expose the phony spiritualists while simultaneously trying to con them out of their money, leading to a series of comedic misunderstandings and slapstick situations. As the schemes escalate, Harold finds himself in increasingly precarious positions, including having to pretend to be a wealthy mark and participating in a fake séance. The film culminates in a chaotic chase sequence where all the characters' true identities are revealed, resulting in the con artists getting their comeuppance while Harold manages to escape with both the girl and a small fortune.
This was one of Harold Lloyd's early comedy shorts produced during his transition period between his 'Lonesome Luke' character and his famous 'Glasses Character' persona. The film was shot in just a few days, which was typical for comedy shorts of this era. The production took advantage of the growing popularity of spiritualism and fake psychics in the 1910s, which provided rich material for comedic exploitation.
Released in March 1918, 'Are Crooks Dishonest?' was produced during the final year of World War I, a time when American cinema was rapidly evolving from short films to feature-length productions. The film industry was consolidating, with studios like Hal Roach establishing themselves as comedy powerhouses. This period also saw the rise of spiritualism in American culture, as the massive casualties of WWI led many people to seek contact with deceased loved ones through mediums and psychics, many of whom were later exposed as frauds. The film capitalized on this cultural phenomenon while providing escapist entertainment during a difficult period in American history.
While not as well-known as Harold Lloyd's later feature films, 'Are Crooks Dishonest?' represents an important transitional work in Lloyd's career and the development of American comedy cinema. The film showcases Lloyd's evolution away from the Chaplin-influenced 'Lonesome Luke' character toward his more sophisticated 'Glasses Character' persona that would make him one of the biggest stars of the 1920s. The film also reflects the public's fascination with spiritualism and skepticism toward fake psychics, themes that would recur throughout popular culture in subsequent decades. As part of Lloyd's extensive short film output, it contributed to establishing the template for American comedy shorts that would dominate theaters throughout the silent era.
The filming of 'Are Crooks Dishonest?' took place at the Hal Roach Studios facility in Culver City, California. Harold Lloyd was known for his meticulous planning of gags and stunts, even in these early shorts. The séance scene required careful choreography to ensure the fake supernatural effects appeared convincing yet comedic. Bebe Daniels and Harold Lloyd had developed strong comedic chemistry from working together on numerous previous shorts, allowing them to improvise and enhance the scripted material. The production team used practical effects for the spiritualist gags, including hidden wires and trap doors, which were standard techniques for comedy productions of this era.
The cinematography in 'Are Crooks Dishonest?' was typical of Hal Roach Studios productions of the era, featuring clear, well-lit compositions that effectively showcased the physical comedy. The camera work was functional rather than artistic, prioritizing clarity of action and gag visibility over visual experimentation. The séance scenes utilized dramatic lighting to create mysterious atmospheres before undercutting them with comedic reveals. The film employed standard medium shots for dialogue scenes and wider shots for physical comedy sequences, following the established conventions of silent comedy cinematography.
While 'Are Crooks Dishonest?' was not groundbreaking technically, it demonstrated the efficient production methods that made Hal Roach Studios successful. The film employed practical effects for the supernatural gags, including hidden mechanisms for levitation tricks and ghostly appearances. The editing was crisp and well-paced, essential for maintaining comedic momentum in short films. The production showcased the studio's ability to produce quality comedy shorts quickly and economically, a technical achievement in itself that helped establish Hal Roach as a major comedy producer.
As a silent film, 'Are Crooks Dishonest?' would have been accompanied by live musical performance in theaters. The typical score would have included popular songs of 1918, classical pieces, and specially composed mood music. During séance scenes, theaters would likely used eerie, mysterious music to enhance the atmosphere before switching to comedic, upbeat tunes for the slapstick sequences. The musical accompaniment was crucial for setting the tone and guiding audience emotional responses, as was standard practice for silent comedy shorts of this period.
As a silent film, dialogue was conveyed through title cards rather than spoken quotes
Contemporary reviews of 'Are Crooks Dishonest?' were generally positive, with trade publications like Variety and Moving Picture World praising Harold Lloyd's comedic timing and the film's clever premise. Critics noted the film's effective use of the spiritualist craze for comedic purposes and the strong chemistry between Lloyd, Daniels, and Pollard. Modern film historians recognize the short as a solid example of Lloyd's early work, demonstrating his developing comedic style and the efficient production values of Hal Roach Studios. While not considered among Lloyd's masterpieces, it is valued today as an artifact of early American comedy cinema.
Audiences in 1918 responded positively to 'Are Crooks Dishonest?' as part of Harold Lloyd's growing popularity. The film's timely subject matter of fake psychics resonated with viewers familiar with real-life spiritualist scandals. Harold Lloyd's relatable everyman character and the film's fast-paced gags provided the escapist entertainment that wartime audiences craved. The short performed well in theaters as part of comedy programs, contributing to Lloyd's rising star power that would soon enable him to transition to feature films.
The film survives in its complete form and has been preserved by film archives. Prints exist in several collections, including the Library of Congress and major film preservation institutions. The film has been included in Harold Lloyd DVD collections and is occasionally screened at silent film festivals.