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Dunces and Dangers

Dunces and Dangers

1918 18 minutes United States
Poverty and economic hardshipDebt and financial obligationDomestic relationshipsConflict with authority figuresPhysical comedy as social commentary

Plot

In this classic silent comedy short, Larry Semon and his wife Madge find themselves in dire financial straits with absolutely no food in their home. Their desperate situation worsens when the persistent butcher and grocer arrive simultaneously to collect debts they are owed, refusing to accept excuses for payment. The debt collectors become increasingly aggressive, threatening to take any and every possession the couple owns as compensation. This escalating confrontation culminates in a frantic chase that leads Larry and his wife up onto the rooftop of their building. The rooftop setting becomes the stage for a series of elaborate and dangerous stunts, showcasing Semon's signature physical comedy style as the characters navigate precarious situations while attempting to evade their pursuers.

About the Production

Release Date August 5, 1918
Production Vitagraph Company of America
Filmed In Vitagraph Studios, Brooklyn, New York

This film was produced during the height of Larry Semon's popularity at Vitagraph Studios, where he had significant creative control over his productions. The rooftop sequences required careful stunt coordination and were typical of Semon's elaborate physical comedy style. The film was shot on location at Vitagraph's Brooklyn studios, which allowed for the construction of detailed sets including the multi-story building used for the climactic chase scenes.

Historical Background

The year 1918 was a pivotal moment in world history, marking the final year of World War I and the beginning of the Spanish Flu pandemic that would claim millions of lives globally. In the United States, the film industry was transitioning from its early experimental phase into a more structured commercial enterprise. Hollywood was establishing itself as the center of American film production, though studios like Vitagraph in New York remained significant players. Silent comedy was reaching its artistic peak, with performers like Charlie Chaplin, Buster Keaton, Harold Lloyd, and Larry Semon each developing distinctive styles that would define the genre. The economic challenges faced by ordinary Americans during this period, including food shortages and inflation, made films about financial struggles particularly relatable to audiences seeking both entertainment and reflection of their daily experiences.

Why This Film Matters

'Dunces and Dangers' represents a typical example of the two-reel comedy format that dominated American cinema in the late 1910s. The film reflects the social anxieties of the post-war period, particularly concerning economic stability and debt, while providing the escapist entertainment that audiences craved during turbulent times. Larry Semon's style of comedy, with its emphasis on elaborate physical stunts and visual gags, contributed to the development of the slapstick genre and influenced later comedians. The film also demonstrates the important role that comedy shorts played in the overall cinema experience of the era, serving as appetizers to the main feature films. The themes of working-class struggles and confrontations with authority figures resonated with immigrant and working-class audiences who formed the core of early cinema's customer base.

Making Of

The production of 'Dunces and Dangers' exemplified Larry Semon's hands-on approach to filmmaking. As both star and director, Semon had considerable creative freedom at Vitagraph, allowing him to craft elaborate physical comedy sequences that became his trademark. The rooftop chase scenes required extensive safety precautions and careful choreography, with Semon often insisting on performing his own stunts despite the risks. The film's sets were constructed at Vitagraph's Brooklyn studios, where the company had built detailed urban environments that could be easily modified for different productions. The relationship between Semon and his co-stars, particularly the frequent collaboration with Madge Kirby, created an on-screen chemistry that audiences responded to positively. The film was produced quickly, as was typical for comedy shorts of the era, with shooting often completed in just a few days to maintain the rapid release schedule that audiences expected.

Visual Style

The cinematography of 'Dunces and Dangers' reflects the technical standards of late 1910s American cinema, utilizing static camera positions typical of the era but incorporating dynamic movement during action sequences. The film makes effective use of the rooftop setting to create visual interest and heighten the tension during the chase scenes. The lighting techniques employed were standard for studio productions of the period, using natural light from the glass studio roofs supplemented by artificial lighting when necessary. The camera work during the stunt sequences was particularly notable for its ability to capture the full scope of the physical comedy while maintaining clear visibility of the performers' actions. The film's visual composition shows the influence of stage comedy traditions while adapting them to the cinematic medium.

Innovations

While 'Dunces and Dangers' was not particularly innovative in its technical aspects, it demonstrated solid craftsmanship typical of Vitagraph productions. The film's stunt sequences required careful planning and execution, showcasing the growing sophistication of action choreography in comedy films. The rooftop chase scenes demonstrated effective use of multi-level space, creating visual interest and opportunities for comedic situations. The film's editing maintained good pacing throughout its runtime, ensuring that the comedy rhythm was preserved. The production design effectively created believable urban environments that supported the narrative while remaining practical for filming comedy sequences.

Music

As a silent film, 'Dunces and Dangers' would have been accompanied by live musical performance during its original theatrical run. The typical accompaniment would have included a piano player or small orchestra performing popular songs of the era along with specially composed mood music that enhanced the comedic action. The musical selections would have been chosen to match the tone of each scene, with faster, more frantic music during the chase sequences and more melancholic tunes during the moments depicting the couple's poverty. Large urban theaters might have had full orchestras, while smaller venues would rely on a single pianist. The music was crucial for conveying emotion and timing the comedy, as no dialogue or synchronized sound was available.

Famous Quotes

(Intertitle) 'No money, no food!'
(Intertitle) 'We'll take everything you have!'
(Intertitle) 'To the roof!'
(Intertitle) 'This means war!'

Memorable Scenes

  • The opening scene establishing the couple's extreme poverty with empty cupboards and bare pantry
  • The simultaneous arrival of the butcher and grocer creating immediate tension
  • The elaborate chase sequence up the stairs and onto the rooftop
  • The rooftop stunt sequence with characters navigating precarious positions
  • The final confrontation on the roof with various physical comedy gags

Did You Know?

  • Larry Semon was one of the highest-paid comedians of the silent era, earning over $3,000 per week at the peak of his career
  • The Vitagraph Company of America was one of the oldest film production companies in the United States, founded in 1897
  • Madge Kirby appeared in over 50 films with Larry Semon, often playing his wife or romantic interest
  • William Hauber, who plays one of the debt collectors, was a frequent collaborator with Semon and appeared in many of his comedy shorts
  • The film was released just three months before the end of World War I, during a time when audiences sought escapist entertainment
  • Semon was known for performing many of his own dangerous stunts, which contributed to his reputation for thrilling physical comedy
  • The film's title follows the alliterative naming convention common in comedy shorts of the era
  • Vitagraph Studios would later become part of Warner Bros. in 1925
  • Silent comedy shorts of this length were typically shown as part of a larger program with newsreels, other shorts, and a feature film
  • The film's theme of financial desperation resonated with audiences during the post-war economic uncertainty

What Critics Said

Contemporary reviews of 'Dunces and Dangers' were generally positive, with trade publications like Variety and Moving Picture World praising Semon's energetic performance and the film's well-executed stunt sequences. Critics noted the film's effective use of physical comedy and its relatable depiction of domestic financial struggles. Modern film historians recognize the work as a solid example of Semon's comedy style, though it's often overshadowed by the more famous works of his contemporaries like Chaplin and Keaton. The film is appreciated today for its preservation of early American comedy techniques and its documentation of the urban working-class experience during the World War I era.

What Audiences Thought

Audiences in 1918 responded enthusiastically to 'Dunces and Dangers,' as evidenced by its successful theatrical run and the continued demand for Larry Semon's comedies. The film's themes of poverty and debt collection struck a chord with viewers who were experiencing similar economic hardships in the post-war period. The physical comedy and stunt sequences provided the visual spectacle that silent film audiences expected from their comedy shorts. Semon's expressive performance style and the film's fast-paced action kept audiences engaged throughout its relatively brief runtime. The positive reception helped cement Semon's status as one of the leading comedy stars of the late 1910s.

Film Connections

Influenced By

  • Charlie Chaplin's tramp character
  • Mack Sennett's Keystone comedy style
  • Stage comedy traditions
  • Vaudeville performance techniques
  • Earlier Vitagraph comedy productions

This Film Influenced

  • Later Larry Semon comedies
  • The Three Stooges short subjects
  • Abbott and Costello routines
  • Jackie Chan's action-comedy films

You Might Also Like

The Cook (1918)The Garage (1919)The Boat (1921)The Electric House (1922)The Frozen North (1922)The Scarecrow (1920)

Film Restoration

The film is preserved in the Library of Congress collection and has been made available through various archival sources. While some nitrate decomposition may have occurred over the decades, the film remains largely intact and viewable. Several archives hold copies of the film, ensuring its preservation for future generations. The film has been digitized as part of various silent film preservation projects.

Themes & Topics

povertydebt collectorschaserooftopphysical comedymarried coupledomestic comedyslapstickstuntsfood shortagefinancial desperationpursuiturban setting