
"He's a two-fisted, three-drinking, four-flushing, cattle-baron, land-grabbing, son-of-a-bitch... and he's the hero!"
George Washington McLintock is a wealthy, influential cattle baron in the Old West who finds himself besieged by problems from all sides. The federal government, represented by the corrupt government man Cuthbert H. Humphrey, wants to buy his vast land for a pittance, while nearby Native Americans are being displaced from their ancestral lands. To complicate matters further, McLintock's estranged wife Katherine returns after two years of separation, demanding custody of their daughter Becky and half of his fortune. As McLintock navigates these various conflicts with his characteristic blend of stubbornness and humor, he must confront his own feelings about family, responsibility, and justice. The story culminates in a series of comedic confrontations, including a legendary mudfight, that ultimately lead to reconciliation between McLintock and his wife.
The film was produced by John Wayne's own company, Batjac Productions, giving him significant creative control. The famous mudfight scene required a special mud mixture that wouldn't harm the actors' eyes and took three days to film. The town set was so well-constructed that it became a permanent attraction at Old Tucson Studios. The production faced extreme weather conditions, with temperatures often exceeding 100 degrees during the Arizona filming schedule.
Released in November 1963, 'McLintock!' emerged during a pivotal moment in American history and cinema. The film premiered just weeks before President John F. Kennedy's assassination, which would dramatically alter the cultural landscape of the 1960s. It represented the tail end of the classic Hollywood studio era, as independent productions like Wayne's Batjac were becoming increasingly viable. The film reflected conservative American values that were prominent in the early 1960s, just before the counterculture movement would challenge these norms. Its portrayal of government corruption and overreach resonated with audiences growing increasingly skeptical of federal authority. The Western genre itself was transitioning, with traditional formulas giving way to more revisionist approaches that would dominate later in the decade.
'McLintock!' holds a unique place in American cinema as both a swan song for the traditional Western comedy and a showcase of John Wayne's enduring star power. The film's blending of Western action with domestic comedy created a template that would influence later family-oriented Westerns. Its portrayal of Native Americans, while still stereotypical by modern standards, was somewhat progressive for its time, depicting them as victims of government policies rather than simple villains. The film has become a cultural touchstone, particularly through its annual television broadcasts during holidays, introducing new generations to classic Hollywood entertainment. The mudfight scene has become one of cinema's most memorable comedic sequences, frequently referenced and parodied in popular culture. The movie also represents the final collaboration between two of Hollywood's most iconic stars, Wayne and O'Hara, marking the end of an era in screen partnerships.
The production of 'McLintock!' was marked by the strong creative influence of John Wayne through his Batjac Productions company. Wayne was deeply involved in casting decisions and script development, ensuring the film aligned with his personal vision of American values. The chemistry between Wayne and O'Hara was enhanced by their long-standing friendship and previous collaborations, with their off-screen banter often continuing between takes. The mudfight sequence presented unique technical challenges, requiring the special effects team to create a mud mixture that would look authentic on camera while being safe for the actors. Director Andrew V. McLaglen, making his feature film debut, brought a fresh energy to the Western genre while respecting its traditions. The production team worked extensively with Native American consultants to ensure more authentic representation, though still reflective of 1960s Hollywood sensibilities.
William H. Clothier's cinematography captured the expansive Western landscapes in vibrant Technicolor, utilizing his extensive experience in the genre to create visually striking compositions. The film employs classic Western techniques with wide shots emphasizing the vastness of the frontier and the scope of McLintock's empire. Clothier's camera work during action sequences, particularly the mudfight and chase scenes, maintains clarity while conveying the chaotic energy of the moments. The Technicolor process allows for rich, saturated colors that enhance the film's comedic and dramatic elements. Interior scenes are lit to create a warm, inviting atmosphere that contrasts with the harsh exterior landscapes. The cinematography successfully balances the film's dual nature as both Western and comedy, using visual techniques appropriate to each genre.
While not groundbreaking in technical innovation, 'McLintock!' featured several notable technical accomplishments for its time. The mudfight sequence required innovative solutions for creating and filming the scene safely and effectively, including the development of a special mud mixture that wouldn't harm the actors or equipment. The production design, particularly the town set, was praised for its authenticity and attention to detail, creating a believable Western environment that served the story well. The film's sound recording techniques successfully captured dialogue during action sequences, a challenge in outdoor filming conditions. The Technicolor cinematography maintained consistent quality throughout the various lighting conditions encountered during location shooting. The stunt coordination, particularly for the action sequences, demonstrated sophisticated techniques for ensuring performer safety while creating exciting visual moments.
Frank De Vol composed the musical score, expertly blending traditional Western themes with comedic elements to match the film's tone. The soundtrack features lively orchestral pieces that incorporate Western instrumentation alongside more traditional orchestral arrangements. The main theme, with its memorable melody, perfectly captures the film's blend of rugged individualism and humor. De Vol's music enhances key scenes without overwhelming the performances, particularly during the comedic sequences. The soundtrack also includes period-appropriate songs that help establish the film's setting and time period. The score was released as a soundtrack album and remains popular among film music enthusiasts for its ability to capture the spirit of the Western comedy genre. The music effectively supports both the dramatic moments and the physical comedy, contributing significantly to the film's entertainment value.
I haven't lost my temper in 40 years, but, Pilgrim, you caused a lot of trouble in my town.
Don't say it's a fine morning or I'll shoot ya.
You're about as graceful as a cow on ice.
I'm the biggest landowner in the territory, and I'm not about to let the government take it away from me.
There's only two things in this world that a man like me has to do: love his woman and defend his country.
I'm George Washington McLintock... I own everything around here for as far as you can see.
You can't fire me, I quit!
I've been a rich man and I've been a poor man. Believe me, rich is better.
Contemporary critical reception was mixed to positive, with Variety praising the film as 'a robust, good-natured Western comedy that should please Wayne's legion of fans' while The New York Times found it 'formulaic but entertaining.' Modern critics often view the film through a more complex lens, acknowledging its dated elements while appreciating its entertainment value and the chemistry between its leads. The film holds a 6.8/10 rating on IMDb and has maintained a steady reputation as a fun, if politically incorrect, example of classic Hollywood filmmaking. Critics frequently note that while the plot may be predictable, the performances and production values elevate the material beyond typical genre fare.
The film was a significant box office success, earning $7.5 million against its $2.5 million budget, making it one of the more profitable films of 1963. Audiences particularly embraced the chemistry between Wayne and O'Hara, whose on-screen dynamic reflected their real-life friendship. The film developed a cult following over the decades, with many viewers considering it one of Wayne's most entertaining and accessible performances. Annual television broadcasts during Thanksgiving and Christmas helped maintain its popularity across generations. The film's straightforward morality and humor resonated strongly with middle-American audiences who appreciated its traditional values and lack of pretension. Modern audiences often discover the film through streaming platforms and classic movie channels, with many becoming fans of its old-fashioned charm and physical comedy.
The film has been well-preserved through various home video formats and digital restorations. It was restored for DVD and Blu-ray releases, maintaining its original Technicolor vibrancy and sound quality. The original film elements are stored in studio archives and have been used for multiple high-quality transfers. The film entered the public domain in some regions due to copyright issues, which has ironically helped ensure its widespread availability and preservation through multiple releases.