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The Encounter of a Lifetime

The Encounter of a Lifetime

1952 78 Soviet Union
Collective workSocialist competitionYouth educationGender equality in laborTechnical training

Plot

At a Soviet professional school, students are divided into competing boys' and girls' brigades tasked with completing a major production order within a tight deadline. The competition intensifies as both groups work tirelessly to prove their capabilities and efficiency, with the future of their school's reputation at stake. As the deadline approaches, the students must overcome various challenges, technical difficulties, and interpersonal conflicts to achieve their goal. The film explores themes of collective effort, socialist competition, and the educational values of practical work experience in the Soviet system.

About the Production

Release Date 1952
Production Gorky Film Studio
Filmed In Moscow, Soviet Union

The film was produced during the post-war period when Soviet cinema focused heavily on educational and youth-oriented themes that promoted socialist values and collective work ethics. The production utilized real vocational school settings to enhance authenticity.

Historical Background

The film was produced during the early years of Stalin's final period, when Soviet cinema was heavily regulated and focused on promoting socialist values. The early 1950s saw an emphasis on films that glorified collective labor, technical education, and the preparation of youth for industrial work. This was a time when the Soviet Union was rebuilding after World War II and there was a great need for skilled workers in various industries. The film reflects the state's emphasis on vocational training as a cornerstone of socialist education.

Why This Film Matters

The film represents a typical example of Soviet educational cinema from the early 1950s, serving both as entertainment and ideological instruction. It contributed to the cultural narrative about the importance of technical education and collective work in building socialism. The film's portrayal of gender equality in technical education was notable for its time, showing both boys and girls as equally capable in industrial work. It also helped establish Nadezhda Rumyantseva as a rising talent in Soviet cinema.

Making Of

The filming took place in actual vocational schools in Moscow to provide authentic settings and atmosphere. Director Nikolai Lebedev worked closely with educational authorities to ensure the film accurately represented Soviet educational ideals. The young cast members underwent brief training in the technical skills depicted to make their performances more convincing. The production faced challenges in coordinating the large number of student extras and maintaining continuity during the competitive sequences.

Visual Style

The cinematography by Ivan Krasnogorsky employed straightforward documentary-style techniques to emphasize the realism of the educational setting. The camera work focused on collective action and group dynamics rather than individual star moments. Black and white photography was used to create a serious, educational tone appropriate to the subject matter.

Music

The musical score was composed by Vladimir Yurovsky, who created uplifting melodies that emphasized the positive aspects of collective labor and socialist competition. The soundtrack included several songs that became popular among Soviet youth, particularly those celebrating teamwork and technical achievement.

Famous Quotes

Together we can accomplish what seems impossible alone
The strength of the collective lies in the unity of its members
In socialist competition, everyone wins through mutual improvement

Memorable Scenes

  • The final sequence where both brigades work together to complete the order, demonstrating the superiority of cooperation over competition
  • The opening scenes showing the daily routine of students at the vocational school
  • The tense moments during technical breakdowns that test the students' problem-solving abilities

Did You Know?

  • This was one of Nadezhda Rumyantseva's early film roles before she became one of the Soviet Union's most beloved comedic actresses
  • Director Nikolai Lebedev was known for his specialization in films about youth and education
  • The film was part of a series of Soviet productions in the early 1950s that emphasized the importance of vocational training
  • Real students from Moscow vocational schools were used as extras in many scenes
  • The competition between boys' and girls' brigades reflected real educational practices in Soviet technical schools
  • The film was shot in black and white, which was standard for most Soviet productions of this era
  • The production order in the plot was based on actual industrial needs of post-war Soviet reconstruction

What Critics Said

Contemporary Soviet critics praised the film for its educational value and positive portrayal of youth collectivism. Reviews in Soviet film journals highlighted its effectiveness in promoting vocational education and socialist competition. Western critics had limited access to the film during its initial release due to Cold War restrictions, and it remains relatively unknown outside of Russian-speaking territories.

What Audiences Thought

The film was well-received by Soviet audiences, particularly among young people and educators. It was frequently shown in schools and vocational institutions as an educational tool. The competitive elements and youthful energy of the story resonated with viewers, and the performances of the young cast were appreciated for their authenticity and enthusiasm.

Film Connections

Influenced By

  • Soviet educational cinema tradition
  • Socialist realist art movement

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The First Echelon (1955)The House I Live In (1957)Communist (1957)Nine Days of a Year (1962)

Film Restoration

The film is preserved in the Gosfilmofond archive in Russia, though it has not been widely restored or remastered for modern viewing formats.

Themes & Topics

vocational schoolcompetitioncollective workyoutheducationSoviet Unionindustrial production