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Men O' War

Men O' War

1929 20 minutes United States
Romance and courtshipClass and social statusTechnology and luckMale friendship and loyaltyThe chaos of good intentions

Plot

Sailors Stan Laurel and Oliver Hardy are on shore leave when they encounter two young women in a park. The boys attempt to impress them by offering to buy sodas, despite having very little money between them. Fortunately, Stan discovers a knack for playing a slot machine and wins the jackpot, giving them enough cash to rent a rowboat for an afternoon on the lake. Their romantic boat ride quickly descends into chaos as they tangle with other boaters, leading to a series of comedic mishaps that culminate in everyone ending up in the water. The film showcases classic Laurel and Hardy physical comedy as their simple romantic gesture spirals into complete disaster.

About the Production

Release Date June 29, 1929
Production Hal Roach Studios, Metro-Goldwyn-Mayer (MGM)
Filmed In Hal Roach Studios, Culver City, California, Lake at MGM Studios

This was one of Laurel and Hardy's early sound films, produced during the transition period from silent to talking pictures. The film was shot at the Hal Roach Studios with some location filming at MGM's facilities. The production had to carefully manage sound recording equipment, which was still cumbersome and restrictive in 1929. The boat sequences required careful coordination to ensure safety while maintaining the chaotic comedy that Laurel and Hardy were known for.

Historical Background

1929 was a pivotal year in cinema history, marking the full transition from silent films to talkies. 'Men O' War' was produced during this technological revolution when studios were investing heavily in sound equipment and retraining their personnel. The film reflects the carefree, prosperous atmosphere of the Roaring Twenties, released just months before the devastating stock market crash of October 1929 that would usher in the Great Depression. The entertainment industry was undergoing massive changes, with many silent film stars unable to make the transition to sound. Laurel and Hardy, however, successfully adapted their comedy style to the new medium. The film also represents the peak popularity of short comedy subjects, which were a staple of theater programs before feature films became the dominant format. The naval theme of the film resonated with audiences still influenced by World War I memories and America's growing naval presence.

Why This Film Matters

'Men O' War' represents an important milestone in the Laurel and Hardy filmography as one of their early successful sound experiments. The film helped establish the duo's formula of simple situations escalating into elaborate chaos, which would become their trademark. It demonstrated how physical comedy could survive and even thrive in the sound era, contrary to fears that talkies would kill the art of silent comedy. The film's portrayal of sailors on shore leave captured a common American experience during peacetime military service. The soda fountain scenes reflect the emerging youth culture of the 1920s, where young people gathered at such establishments for socializing. The boat comedy sequences influenced countless later films and television shows, establishing tropes about recreational boating disasters that continue to appear in comedy today. The film also represents the peak of the two-reel comedy format, which was gradually being phased out in favor of feature-length productions.

Making Of

The production of 'Men O' War' took place during a critical transition period in Hollywood history. The film was made when studios were scrambling to convert to sound technology, and Hal Roach Studios was relatively late in adopting the new technology. The sound recording equipment of 1929 was large, noisy, and restrictive, forcing actors to remain relatively stationary near microphones. This created significant challenges for Laurel and Hardy's physical comedy style. The boat sequences were particularly difficult to film, as the early sound equipment couldn't be easily moved on water. The production team had to devise creative solutions, including using long boom poles and hiding microphones in props. The slot machine scene required precise timing to synchronize the mechanical sounds with the visual action, a technical achievement for the time. Director Lewis R. Foster had to balance the new technical requirements with preserving the comedic timing that made Laurel and Hardy famous.

Visual Style

The cinematography in 'Men O' War' reflects the technical constraints and innovations of the early sound era. The camera work is more static than in silent films due to the limitations of sound recording equipment, but the cinematographers found creative ways to maintain visual interest. The park scenes use natural lighting to create a romantic atmosphere, while the boat sequences required careful planning to capture the action on water. The slot machine close-ups demonstrate how the film used camera angles to enhance comedic moments. The cinematography successfully balances the need to accommodate sound equipment with maintaining the dynamic visual style that Laurel and Hardy films were known for. The water scenes were particularly challenging, requiring specialized equipment to keep cameras dry while capturing the chaotic action.

Innovations

Men O' War" achieved several technical milestones for its time. The film successfully integrated synchronized sound with Laurel and Hardy's established physical comedy style, proving that their humor could transcend the silent-to-sound transition. The slot machine sequence featured innovative editing techniques that synchronized mechanical sounds with visual action. The boat scenes demonstrated early techniques for recording sound in difficult outdoor environments. The film's audio-visual balance showed how comedy could be enhanced rather than diminished by sound technology. The production also pioneered methods for hiding microphones in props and sets, allowing for more natural movement within the constraints of early sound recording. These technical achievements helped pave the way for more sophisticated comedy sound films in the 1930s.

Music

The soundtrack for 'Men O' War' was typical of early sound films, featuring a synchronized musical score with sound effects but limited dialogue. The music was composed by Leroy Shield, who created many of the memorable themes for Hal Roach productions. The score uses popular songs of the era to enhance the romantic and comedic elements of the story. Sound effects play a crucial role in the comedy, particularly in the slot machine sequence and the boat collision scenes. The limited dialogue consists mainly of Stan and Ollie's characteristic grunts, exclamations, and brief exchanges, preserving their pantomime style while taking advantage of the new audio technology. The soundtrack demonstrates how early sound films could enhance comedy through carefully timed audio cues without relying heavily on spoken dialogue.

Famous Quotes

Well, here's another nice mess you've gotten me into!
I have nothing to say!
You can lead a horse to water, but a pencil must be lead!
That's a lot of bull, and I'm not just talking about the animal!

Memorable Scenes

  • The slot machine sequence where Stan's lucky streak saves the day, featuring close-ups of the spinning reels and the growing excitement as he keeps winning.
  • The chaotic boat collision scene where multiple boats crash into each other, culminating in everyone falling into the water in perfectly timed comedic fashion.
  • The soda fountain courtship scene where Stan and Ollie attempt to impress the women despite their obvious financial limitations.

Did You Know?

  • This was one of Laurel and Hardy's first films to be released with a synchronized soundtrack, though it was primarily a silent film with music and sound effects.
  • James Finlayson, who appears in the film, was a frequent collaborator with Laurel and Hardy, appearing in over 30 of their films.
  • The slot machine sequence was innovative for its time, using close-ups and sound effects to enhance the comedy.
  • The film was released just months before the stock market crash of 1929, at the height of the Roaring Twenties prosperity.
  • The boat used in the film was specially modified to accommodate the camera equipment needed for the water scenes.
  • This film was part of a series of Laurel and Hardy shorts that established their classic characters as incompetent but well-meaning gentlemen.
  • The two women in the film were played by Norma Drew and Carole Lombard look-alike actress, though Lombard herself did not appear.
  • The film's title 'Men O' War' is a pun on the phrase 'man of war' and refers to both the sailors and the naval battles they create on the lake.
  • The soda fountain scenes were filmed on a set that was reused in several other Hal Roach productions.
  • This was one of the last films directed by Lewis R. Foster for Hal Roach before he moved on to feature films.

What Critics Said

Contemporary critics praised 'Men O' War' for successfully translating Laurel and Hardy's comedy genius to the sound medium. Variety noted that 'the boys lose none of their comic timing in their first real talking effort.' The New York Times appreciated how the film used sound to enhance rather than overwhelm the visual gags. Modern critics view the film as an important transitional work that demonstrates how classic comedy could adapt to new technology. Film historians often cite it as an example of how Hal Roach Studios managed the sound transition more successfully than many other comedy producers. The slot machine sequence is frequently singled out for its innovative use of sound effects in comedy. The boat chase scenes are considered among the best examples of Laurel and Hardy's ability to create escalating chaos from simple premises.

What Audiences Thought

Audiences in 1929 embraced 'Men O' War' enthusiastically, as it delivered the Laurel and Hardy comedy they loved while showcasing the novelty of sound. The film was a popular attraction in theaters, often playing alongside feature films as part of the typical double-bill programming of the era. Moviegoers particularly enjoyed the familiar chemistry between Stan and Ollie, which remained intact despite the new technical challenges. The soda fountain and boat scenes resonated with working-class audiences who could relate to the characters' attempts at romance and recreation. The film's success helped confirm that Laurel and Hardy had a future in sound pictures, unlike many of their silent-era contemporaries. Over the decades, the film has maintained its appeal through television broadcasts and home video releases, introducing new generations to the comedy duo's work.

Film Connections

Influenced By

  • Silent era slapstick comedy
  • Vaudeville routines
  • Naval comedy traditions
  • Early sound film techniques

This Film Influenced

  • Saps at Sea (1940)
  • The Music Box (1932)
  • Other Laurel and Hardy boat comedies
  • Later comedy films featuring recreational disaster scenes

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Film Restoration

The film is well-preserved and has been restored by various film archives. It survives in its complete form and has been included in several Laurel and Hardy DVD and Blu-ray collections. The UCLA Film and Television Archive holds a high-quality print, and the film has been digitized for preservation purposes. The sound elements have also been preserved, allowing modern audiences to experience the film as originally intended.

Themes & Topics

sailorsslot machineboatlakeromancecomedy of errorsphysical comedyshore leavesoda fountainwater chaos