The Bees' Buzz

The Bees' Buzz

1929 20 United States
FriendshipFamily relationshipsMarriageParental interferenceComedy of errors

Plot

In this Mack Sennett comedy short, two friends Andy and Harry find themselves in a series of comedic predicaments as they attempt to prevent the marriage of Andy's daughter. Their well-intentioned but bumbling efforts lead to escalating chaos and misunderstandings, typical of the slapstick style Sennett was famous for. The friends' schemes backfire repeatedly, creating increasingly absurd situations as they try to sabotage the wedding plans. Their interference causes complications that threaten to derail not just the marriage but their own friendship in the process.

About the Production

Release Date 1929
Production Mack Sennett Comedies
Filmed In Los Angeles, California

This was one of Mack Sennett's productions during the transitional period from silent to sound films. Sennett, known as 'The King of Comedy,' was pioneering new techniques in comedy filmmaking during this era. The film was likely produced as a two-reel comedy short, which was Sennett's specialty format.

Historical Background

1929 was a pivotal year in cinema history, marking the end of the silent era and the full emergence of sound films. The Jazz Singer had already revolutionized the industry in 1927, and by 1929, most major productions were incorporating sound elements. This transition created both opportunities and challenges for comedy filmmakers like Mack Sennett, whose visual style had to adapt to the new medium. The year also saw the Wall Street Crash in October, which would have profound effects on the film industry, particularly independent studios. Despite these challenges, comedy remained one of the most popular genres, with audiences seeking escapism during difficult economic times.

Why This Film Matters

While not a major cultural touchstone, The Bees' Buzz represents the type of comedy entertainment that dominated American cinema during the late 1920s. These short comedies served as important precedents for future television sitcoms and comedy films. The film's themes of parental opposition to marriage and friends meddling in romantic relationships would become recurring tropes in comedy throughout the 20th century. As part of Sennett's output, it contributes to the legacy of American slapstick comedy that would influence generations of comedians and filmmakers.

Making Of

The Bees' Buzz was produced during a challenging time for Mack Sennett's studio. The transition to sound technology was expensive, and independent studios struggled to compete with major studios that had better resources. Sennett, who had built his reputation on visual slapstick comedy, had to adapt his style to accommodate sound recording requirements. The casting of Harry Gribbon and Andy Clyde represented Sennett's reliance on reliable comedy character actors who could deliver both physical comedy and dialogue. The film was likely shot quickly on Sennett's studio lot in Edendale, California, where his productions were typically made with minimal budgets and maximum efficiency.

Visual Style

The cinematography would have been typical of Sennett productions of the era - functional rather than artistic, with clear framing to support the comedy. As a 1929 production, it may have incorporated some early sound recording techniques, which often required static camera positions. The visual style would have emphasized clarity in capturing physical comedy gags, with good lighting to ensure visibility of the actors' expressions and movements. The film was likely shot in black and white on standard 35mm film stock.

Innovations

The Bees' Buzz represents the technical transition period of 1929, likely incorporating early sound recording technology. This presented significant technical challenges for filmmakers accustomed to silent production. The film may have used the Vitaphone sound-on-disc system or early sound-on-film technology. The need to accommodate sound equipment often restricted camera movement and required actors to remain near microphones, impacting the dynamic visual style that had characterized earlier Sennett comedies.

Music

As a 1929 production, this film would have featured either a synchronized music score or partial dialogue and sound effects. Early sound films often used a hybrid approach, with some scenes having synchronized sound while others remained accompanied by live musical accompaniment in theaters. The score would have been typical of comedy shorts of the era - upbeat and rhythmic to enhance the comedic timing. Sound effects would have been used to punctuate physical gags and slapstick moments.

Famous Quotes

No documented quotes from this film are available in historical records

Memorable Scenes

  • Specific scene descriptions from this film are not available in surviving documentation, but likely included typical Sennett-style chase sequences and physical comedy gags related to wedding sabotage attempts

Did You Know?

  • This film was released during the critical transition period between silent and sound cinema in 1929
  • Mack Sennett, the director, was a pioneering comedy filmmaker who discovered Charlie Chaplin and created the Keystone Cops
  • Harry Gribbon was a veteran comedy actor who often played second banana to bigger stars in Sennett comedies
  • Andy Clyde would go on to have a long career in Hollywood, appearing in over 400 films and television shows
  • 1929 was the year of the stock market crash, which would significantly impact Hollywood and independent studios like Sennett's
  • Many comedy shorts from this era have been lost due to the unstable nitrate film stock used at the time
  • Sennett's studio was known for its fast production schedule, often completing shorts in just a few days

What Critics Said

Contemporary reviews of this specific film are not readily available, which was common for comedy shorts of the era. Trade publications like Variety and The Film Daily typically reviewed shorts, but many of these reviews have not been preserved or digitized. Sennett's comedies of this period generally received mixed reviews, with critics noting that his style was becoming somewhat dated compared to newer comedy approaches emerging in the sound era. The film was likely judged on its ability to deliver laughs efficiently within its short runtime format.

What Audiences Thought

Audience reception data for specific comedy shorts from 1929 is largely unavailable, but Sennett's productions generally enjoyed popularity with working-class audiences who appreciated their straightforward humor and physical comedy. The transition to sound was initially challenging for audiences as well, with many theaters not yet equipped for sound projection. Comedy shorts like The Bees' Buzz were typically part of larger theater programs, shown before feature films, and their success was measured by their ability to entertain audiences quickly and effectively.

Film Connections

Influenced By

  • Keystone comedy style
  • Mack Sennett's earlier slapstick films
  • Vaudeville comedy traditions

This Film Influenced

  • Later comedy shorts of the early 1930s
  • Television sitcom tropes about wedding interference

You Might Also Like

The Battle of the Sexes (1928)The Cameraman (1928)Speedy (1928)Liberty (1929)

Film Restoration

The preservation status of The Bees' Buzz is unknown, but many Mack Sennett shorts from this period are considered lost or exist only in fragmentary form. The unstable nitrate film stock used in the 1920s, combined with the perceived disposability of comedy shorts, resulted in significant loss of films from this era. Major film archives like the Library of Congress and UCLA Film & Television Archive continue to search for and preserve surviving Sennett productions.

Themes & Topics

weddingsabotagefriendshipcomedyshort filmslapstickmischieffamily