
According to the provided description, the film follows a group of graduating medical students who organize a farewell party. The evening takes an unexpected turn when the secretary of the regional Komsomol committee arrives and begins openly agitating for sexual promiscuity, causing the celebration to devolve into what is described as ugly drunkenness. The film appears to examine the moral and social challenges faced by Soviet youth during this period.
The film's described content involving sexual promiscuity and drunkenness at a Komsomol gathering would have been highly unusual and controversial for Soviet cinema in 1940, as such themes were typically heavily censored or prohibited during this era of Stalinist cultural control.
The year 1940 was a critical period in Soviet history, occurring during the Great Purge's aftermath and just before the Soviet Union's entry into World War II. Cinema during this era was strictly controlled by the state and required to adhere to the principles of socialist realism. Films were expected to promote Soviet values, glorify workers and peasants, and present an optimistic vision of communist society. Any content that suggested moral decay or social problems was typically prohibited.
If this film exists as described, it would represent a highly unusual departure from typical Soviet cinema of 1940. The portrayal of a Komsomol official promoting behavior contrary to Soviet moral values would have been groundbreaking and likely subject to severe criticism or suppression. Such content would have challenged the official narrative of Soviet youth as morally upright and ideologically committed.
Very limited information is available about the production of this film. The described content suggests it would have faced significant challenges with Soviet censorship authorities. Films from this period required approval from multiple state bodies before production could begin, and any content deemed ideologically problematic would have been rejected or heavily modified.
No verifiable critical reception information is available for this film. Given the described content, it would likely have been condemned by Soviet critics for deviating from socialist realism principles and potentially portraying Soviet youth in a negative light.
No information is available about audience reception. If the film was released with the described content intact, it would have been unusual for Soviet audiences of the time, who were accustomed to films promoting idealized Soviet values.
The preservation status of this film is unknown. Many Soviet films from this period have been lost or are only partially preserved, particularly those that may have been controversial or withdrawn from circulation.