
Actor
Alice Howell was a pioneering American silent film actress who became one of the most recognizable comedic performers of the early 1910s. Born in New York City in 1886, she began her entertainment career in vaudeville before transitioning to motion pictures with Mack Sennett's Keystone Studios in 1913. Her distinctive round face, expressive eyes, and natural comedic timing made her a perfect fit for the slapstick comedy style that defined early cinema. Howell appeared in numerous films alongside Charlie Chaplin, Mabel Normand, and Roscoe 'Fatty' Arbuckle during Keystone's golden era. She was particularly adept at playing flustered, exasperated characters who often found themselves caught up in chaotic situations. Despite her popularity during the silent era, her career waned as the film industry evolved, and she made her final film appearances in the late 1920s. Howell's contributions to early comedy helped establish the template for female comedic performers in cinema.
Alice Howell specialized in physical comedy and exaggerated facial expressions, utilizing her distinctive round features to maximum comic effect. Her performances were characterized by frantic energy, impeccable timing, and the ability to convey a wide range of emotions through subtle gestures and expressions. She excelled at playing flustered, put-upon characters who were often the victims of slapstick mishaps, bringing a relatable humanity to the chaos of Keystone comedies.
Alice Howell was part of the foundational generation of film comedians who helped establish the language of cinematic comedy. As one of the few women regularly featured in Keystone's chaotic slapstick productions, she helped pave the way for future female comedians in film. Her ability to hold her own against male comedy stars like Chaplin and Arbuckle demonstrated that women could be equally effective in physical comedy, challenging gender norms of the era. Her distinctive screen persona contributed to the development of character types that would become staples of comedy cinema.
Alice Howell's legacy lies in her contribution to the golden age of silent comedy and her role as one of the pioneering women in early Hollywood. Though less remembered than some of her contemporaries, her work appears in many of the most studied and celebrated early comedies, particularly those featuring Charlie Chaplin's early career. Film historians recognize her as an important figure in the development of screen comedy, and her performances continue to be studied for their technical skill and comedic effectiveness. Her surviving films serve as valuable documentation of early 20th-century comedy styles and the role of women in the nascent film industry.
Howell influenced subsequent generations of female comedians by demonstrating that women could excel in physical comedy and hold their own in ensemble casts dominated by male performers. Her work at Keystone helped establish patterns for female comic characters that would be refined and expanded upon by later performers. Contemporary comedy actresses who specialize in physical comedy owe a debt to pioneers like Howell who proved women could be just as effective in slapstick and situational comedy as their male counterparts.
Alice Howell married actor and director Allen Roscoe in 1916, though the marriage ended in divorce. She later married Harry B. Lorraine in 1925. After retiring from films, she lived a relatively private life in Los Angeles, occasionally appearing at film retrospectives and silent film festivals. She never had children and spent her later years away from the public eye, maintaining connections with former colleagues from the silent era.
Limited formal education; trained in vaudeville and theater performance
In silent pictures, your face had to do all the talking. Every expression counted.
Working at Keystone was like being in a three-ring circus every day, but we loved it.
Charlie Chaplin was a genius even then. We all knew we were part of something special.
Alice Howell was an American silent film actress and comedienne who worked primarily with Keystone Studios in the 1910s. She was known for her distinctive round face and expressive comedic performances, appearing in numerous films with Charlie Chaplin, Mabel Normand, and Roscoe Arbuckle during the golden age of silent comedy.
Alice Howell is best known for her work in Keystone comedies including 'Laughing Gas' (1914), 'Caught in a Cabaret' (1914), 'Mabel's Married Life' (1914), 'Mabel and Fatty's Married Life' (1915), and 'The Masquerader' (1914). She appeared in over 100 films during her career, many of which featured Charlie Chaplin in his early career.
Alice Howell was born on May 20, 1886, in New York City, and died on April 11, 1961, in Los Angeles, California. She lived to be 74 years old and spent her final years in California after retiring from the film industry in 1927.
Alice Howell did not receive formal awards during her career, as the Academy Awards were not established until 1929, near the end of her active period. However, she is recognized by film historians as a pioneering figure in silent comedy and one of the important early female performers at Keystone Studios.
Alice Howell specialized in physical comedy and slapstick performance, utilizing her expressive face and frantic energy to create memorable comic characters. She excelled at playing flustered, exasperated characters caught in chaotic situations, and was known for her impeccable timing and ability to convey emotion through subtle gestures and expressions in silent films.
5 films