
"Love's Sacrifice in the South Seas!"
When Johnny Baker, a young South Seas sailor, falls overboard during a voyage, he is rescued by Luana, the beautiful daughter of a Polynesian king. Despite Luana being promised to another man in an arranged marriage, she and Johnny fall deeply in love and flee to live together in paradise. Their idyllic existence is short-lived when a nearby volcano begins to erupt, threatening the entire island. According to Polynesian tradition, Luana must sacrifice herself to the volcanic gods to save her people, leading to a tragic conclusion where she willingly enters the lava flow while Johnny watches helplessly from a distance.
The film was one of the first major Hollywood productions to shoot extensively on location in Hawaii. The volcano eruption sequence was a major technical achievement, combining miniatures, matte paintings, and on-location effects. The production faced challenges with weather conditions and transporting equipment to remote Hawaiian locations. Dolores del Río performed many of her own swimming scenes, including the controversial nude swimming sequence that was cut from many prints.
Bird of Paradise was released during the pre-Code era of Hollywood (1930-1934), before the strict enforcement of the Hays Code, which allowed for more mature themes including interracial romance and partial nudity. The film emerged during the Great Depression, offering audiences an escapist fantasy set in exotic locations. It reflected America's growing fascination with Pacific cultures following increased tourism and military presence in Hawaii. The film also coincided with a period when Hollywood was beginning to explore more sophisticated themes and technical innovations in cinema. The early 1930s saw advances in sound technology and the early use of color processes, both of which this film utilized. The movie's portrayal of non-Western cultures also reflected colonial attitudes of the time, presenting Polynesian society as both noble and primitive.
Bird of Paradise was groundbreaking as one of the first major Hollywood films to feature an interracial romance as its central theme, albeit with tragic consequences that reinforced racial barriers of the era. It established Dolores del Río as a major star and helped pave the way for other Latina actresses in Hollywood. The film's exotic setting and themes influenced the tropical romance genre for decades. Its technical achievements in location shooting and special effects set new standards for adventure films. The movie also represents an early example of Hollywood's fascination with and exploitation of Pacific Island cultures, a trend that would continue throughout the 20th century. The film's pre-Code content, including its implied sexuality and partial nudity, pushed boundaries of what was acceptable in mainstream cinema. Its preservation in the National Film Registry recognizes its historical and cultural importance in American cinema.
Director King Vidor was passionate about authenticity and pushed for extensive location shooting in Hawaii, which was rare and expensive for the time. The production spent over six weeks filming on the islands, dealing with unpredictable weather and difficult terrain. Dolores del Río, a Mexican actress, was cast specifically for her exotic appearance and swimming ability. She underwent extensive training for the underwater scenes and performed many dangerous stunts herself. The film's most challenging sequence was the volcanic eruption, which required innovative special effects techniques combining practical effects, miniatures, and location photography. The controversial nude swimming scene was filmed at dawn with minimal crew to maintain secrecy, but it still caused significant controversy and was often censored. The studio initially wanted to change the tragic ending, but Vidor fought to keep it, arguing it was essential to the story's emotional impact.
The cinematography by Leo Tover was groundbreaking for its time, particularly the extensive location photography in Hawaii. Tover utilized natural lighting to capture the tropical beauty of the islands, creating a visual contrast between the paradise setting and the dramatic tragedy of the story. The film featured innovative underwater photography techniques, requiring specially designed waterproof camera equipment. The volcanic eruption sequence combined multiple cinematographic techniques including matte paintings, miniatures, and location footage to create a seamless and spectacular effect. The original version included sequences in two-strip Technicolor, though most surviving prints are in black and white. Tover's work earned praise for its ability to capture both the beauty and danger of the tropical setting, using light and shadow to enhance the film's emotional impact.
Bird of Paradise was technically innovative for its era, particularly in its use of location shooting and special effects. The film's extensive location photography in Hawaii set a new standard for adventure films, demonstrating the benefits of shooting on authentic locations rather than relying entirely on studio sets. The volcanic eruption sequence was a major technical achievement, combining miniature models, matte paintings, and practical effects to create a convincing disaster scene. The underwater photography required the development of new waterproof camera housing and techniques. The film also utilized early two-strip Technicolor for certain sequences, though color technology was still in its infancy. The production team developed innovative methods for transporting and operating heavy equipment in remote tropical locations. These technical achievements influenced subsequent adventure films and helped establish new standards for location filming in Hollywood.
The musical score was composed by Max Steiner, one of Hollywood's pioneering film composers. Steiner incorporated authentic Polynesian musical elements into his orchestral score, creating an exotic atmosphere that complemented the film's setting. The score featured traditional Hawaiian instruments blended with conventional orchestral arrangements, a technique that was innovative for the time. The film's theme music became popular and was later published as sheet music. Steiner's use of leitmotifs to represent characters and emotions helped establish the emotional tone of the narrative. The soundtrack also included several traditional Hawaiian songs performed by native singers, adding to the film's authenticity. The musical score played a crucial role in establishing the exotic mood and enhancing the film's dramatic moments, particularly during the tragic finale.
Luana: 'In my country, when the volcano is angry, someone must go to it and make peace with the fire god.'
Johnny: 'I'd rather die with you than live without you.'
Luana: 'You cannot stay here with me. The white man's world and my world cannot mix.'
Chief: 'My daughter belongs to her people, not to one man.'
Johnny: 'I'll take you away from all this. We'll find our own paradise.'
Contemporary critics praised the film's visual beauty and technical achievements, particularly the location photography and volcanic eruption sequence. Dolores del Río's performance received universal acclaim, with many reviewers noting her natural grace and beauty. The New York Times called it 'a picture of extraordinary beauty and technical excellence.' However, some critics found the plot melodramatic and the ending overly sentimental. Modern critics have a more complex view, acknowledging the film's technical merits while critiquing its colonial attitudes and racial stereotypes. The film is now recognized as an important pre-Code work that pushed boundaries in its portrayal of interracial relationships, even while ultimately reinforcing the racial hierarchies of its time.
Bird of Paradise was a commercial success, earning over twice its production cost at the box office. Audiences were captivated by the exotic locations and del Río's performance, making her one of the most popular actresses of the early 1930s. The film's romantic tragedy resonated with Depression-era audiences seeking emotional catharsism. Despite some controversy over the interracial romance theme, the film played well across the United States and internationally, though it was banned in some markets with stricter censorship laws. The movie's success led to increased interest in tropical settings and adventure films throughout the 1930s. Modern audiences often view the film through a historical lens, appreciating its technical achievements while recognizing its dated cultural attitudes.
The film was selected for preservation in the United States National Film Registry in 2002 for being 'culturally, historically, or aesthetically significant'. While the complete original version with all Technicolor sequences is believed to be lost, good quality black and white prints exist. The Library of Congress holds preservation materials, and the film has been restored and released on DVD by the Warner Archive Collection. Some of the controversial scenes, including the partial nudity, exist in various states of completeness in different archive prints.