
"The Most Amazing Motion Picture Ever Made!"
Lemuel Gulliver, a ship's doctor, is washed ashore in the miniature kingdom of Lilliput after a violent storm at sea. The tiny Lilliputians initially fear the giant but gradually befriend him, discovering he means no harm. Gulliver learns that Lilliput is engaged in a bitter war with neighboring Blefuscu over a trivial disagreement about which end of an egg to break. While attempting to broker peace between the kingdoms, Gulliver also facilitates a romance between Princess Glory of Lilliput and Prince David of Blefuscu, whose love could unite the warring nations. The situation becomes perilous when three bumbling Blefuscu spies manage to steal Gulliver's pistol, creating a life-threatening crisis that Gulliver must resolve to save both kingdoms and ensure lasting peace.
This was Fleischer Studios' first feature-length animated film and only their second feature overall. Production was rushed to compete with Disney's success, with the studio moving from New York to Miami to take advantage of Florida labor laws and avoid unionization. The film used extensive rotoscoping for Gulliver's character, with actor Sam Parker serving as the live-action model. The production employed over 700 artists and technicians, working under intense pressure to meet Paramount's release deadline.
Released in December 1939, 'Gulliver's Travels' emerged during a pivotal moment in world history. Europe was already at war, with World War II having begun in September, though the United States would not enter until December 1941. The film's themes of peace, unity, and resolving conflicts over trivial matters resonated deeply with audiences facing global uncertainty. In the film industry, this was the golden age of Hollywood, with the studio system at its peak. Disney's 'Snow White and the Seven Dwarfs' (1937) had proven that feature-length animation could be commercially successful, prompting other studios to enter the field. The film represented Paramount Pictures' ambitious attempt to challenge Disney's dominance in animation, reflecting the competitive nature of Golden Age Hollywood. The production also occurred during the Great Depression's final years, making its massive budget a significant gamble for both the studio and the economy.
As only the second American animated feature film, 'Gulliver's Travels' holds a crucial place in animation history, demonstrating that feature-length animation was not exclusive to Disney. The film's technical innovations, particularly its sophisticated use of rotoscoping, influenced subsequent animated productions and helped establish rotoscoping as a valuable animation technique. The character of Gabby became one of the first animated characters to spin off into his own series, paving the way for character franchising in animation. The film's success in creating believable human characters through rotoscoping helped bridge the gap between cartoonish animation and more realistic character design. Its musical approach, with original songs integrated into the narrative, helped establish the musical animated feature format that would become standard in later decades. The film also represented an important moment in the business of animation, proving that multiple studios could compete in the feature animation market.
The production of 'Gulliver's Travels' was marked by intense pressure and innovation. Paramount Pictures, eager to compete with Disney's success with 'Snow White,' gave Fleischer Studios an unprecedented budget and tight deadline. The studio relocated from New York to Miami, Florida, building a new facility specifically for this production. The rotoscoping process involved filming live actors performing the scenes, then tracing over their footage to create realistic movement. Sam Parker, who voiced Prince David, also served as the live-action model for Gulliver. The animation team faced enormous technical challenges in depicting the size difference between Gulliver and the Lilliputians, requiring innovative camera techniques and perspective work. The musical numbers were particularly complex, combining traditional animation with rotoscoped characters. Despite the technical achievements, the rushed production schedule led to some inconsistencies in the animation quality, and the story was simplified from Swift's original satirical novel to make it more family-friendly.
The visual style of 'Gulliver's Travels' represented a significant technical achievement for Fleischer Studios. The cinematography employed innovative techniques to depict the dramatic size difference between Gulliver and the Lilliputians, using forced perspective and creative camera angles to maintain the illusion of scale. The rotoscoping process for Gulliver's character created unusually fluid and realistic human movement for the era, setting it apart from more traditional animation styles. The film utilized the multiplane camera system to create depth in scenes, particularly in the Lilliputian cityscapes and castle interiors. Color palettes were carefully chosen to distinguish between the two kingdoms, with Lilliput featuring warm, vibrant colors while Blefuscu used cooler tones. The animation of water effects during the opening storm sequence was particularly advanced for its time, using layered animation and careful timing to create realistic wave motion. The film's visual approach successfully blended the realistic movement of rotoscoped characters with more traditionally animated elements, creating a unique visual signature.
The film's most significant technical achievement was its extensive and sophisticated use of rotoscoping, a technique invented by Max Fleischer himself. This involved filming live actors performing scenes, then tracing over their footage frame by frame to create realistic animation. For Gulliver's character, this resulted in unusually natural human movement that set a new standard for animated features. The film also pioneered techniques in depicting scale differences between characters, using innovative camera work and perspective drawing. The multiplane camera system was used extensively to create depth and dimension in the Lilliputian environments. The animation of water effects during the storm sequence was particularly advanced, using multiple layers of animation to create realistic ocean movement. The film's color process was state-of-the-art for 1939, using Technicolor's three-strip process to achieve vibrant, saturated colors. The synchronization of music with animation was also technically sophisticated, with careful attention to timing and rhythm throughout the musical sequences. These technical innovations collectively pushed the boundaries of what was possible in animation at the time.
The musical score for 'Gulliver's Travels' was composed by Victor Young, with songs by Ralph Rainger and Leo Robin. The soundtrack was one of the film's most praised elements, earning an Academy Award nomination for Best Original Score. The film featured several memorable songs, including 'Faithful Forever' (nominated for Best Original Song), 'It's a Hap-Hap-Happy Day,' and 'All's Well.' The music effectively supported the narrative, with romantic themes for the prince and princess, playful melodies for Gabby, and dramatic orchestration for the conflict scenes. The integration of music and animation was sophisticated, with characters' movements carefully synchronized to the musical rhythms. The sound design was equally impressive, particularly in creating appropriate audio for the size differences between characters. The giant footsteps of Gulliver, the tiny voices of the Lilliputians, and the various sound effects all contributed to the film's immersive quality. The musical numbers were staged with elaborate choreography, taking full advantage of the animation medium to create sequences that would be impossible in live-action.
All's well that ends well, and this ended well! - Gulliver
I'm a brave little man in a big, big world! - Gabby
Faithful forever, whatever the weather, we'll always be together! - Song lyric
There's nothing to fear but fear itself, and I'm not afraid of anything! - Gabby
Size doesn't matter when you have a brave heart! - Prince David
Contemporary critics praised 'Gulliver's Travels' for its technical achievements and visual innovation, with particular admiration for the rotoscoping technique used for Gulliver's character. The New York Times noted that 'the animation of the giant Gulliver is nothing short of remarkable,' while Variety called it 'a worthy competitor to Disney's efforts.' However, some critics felt the story lacked the depth and charm of Disney's work, with The Hollywood Reporter suggesting that 'while technically impressive, the narrative sometimes feels rushed.' Modern critics have reevaluated the film more favorably, recognizing its historical importance and technical innovations. Animation historian Jerry Beck has called it 'a landmark film that deserves more credit for pushing animation forward,' and Leonard Maltin noted that 'while not as polished as Disney's work, it has its own unique charm and technical brilliance.' The film's Academy Award nominations for both score and song reflected contemporary recognition of its musical excellence.
Upon its release, 'Gulliver's Travels' was generally well-received by audiences, particularly children who were captivated by the story of a giant among tiny people. The character of Gabby became especially popular, with his distinctive voice and comical personality resonating with viewers. The film performed reasonably well at the box office, though it didn't match the phenomenal success of 'Snow White and the Seven Dwarfs.' Audience feedback highlighted the impressive visual effects and the entertaining musical numbers as major strengths. Over the decades, the film has maintained a dedicated following among animation enthusiasts and classic film fans. Its re-releases and home video versions have found new audiences, with many modern viewers appreciating its historical significance and unique animation style. The film's themes of peace and unity have continued to resonate with audiences across generations, contributing to its enduring appeal.
The film has been well-preserved and restored multiple times throughout its history. Original nitrate elements were carefully preserved and later transferred to safety film. The film underwent a major restoration in the 1990s for its home video release, with color correction and sound enhancement. In 2019, an 80th-anniversary restoration was completed using the latest digital technology, resulting in a version that closely matches the original theatrical presentation. The film is part of the permanent collection at the Library of Congress and has been deemed culturally significant. Various versions exist, including the original theatrical cut and later edited versions for television broadcast. The restoration work has ensured that future generations can appreciate this important piece of animation history.