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Rex the Devil Horse

Rex the Devil Horse

1926 50 minutes United States

"The Wild Stallion That Became a Man's Best Friend!"

Survival against overwhelming oddsThe enduring bond between humans and animalsRedemption through loyalty and friendshipThe harsh reality of frontier lifeComing of age in a hostile environment

Plot

A young boy's family is brutally killed during an Indian massacre of a wagon train, leaving him orphaned and captured by the attacking tribe. During his captivity, he forms a special bond with a wild colt, nursing it and establishing a deep friendship that sustains him through his ordeal. Years later, after managing to escape his captors, the boy, now grown into a young man, is recaptured by the same tribe who force him into a deadly confrontation with their feared 'devil horse' - a vicious stallion that has never been defeated in combat. As the young man faces the terrifying horse in the arena, he gradually recognizes that this seemingly untamable beast is actually his childhood companion, now grown into a powerful but still loyal friend. The revelation of their shared past allows him to survive the deadly contest and ultimately escape his captors, reunited with the horse that has been his constant companion through years of hardship.

About the Production

Release Date October 17, 1926
Production Universal Pictures
Filmed In Universal Studios Lot, Universal City, California, Simi Valley, California

This film was part of Universal's extensive production of B-westerns during the silent era, capitalizing on the popularity of Western films and the rising star power of Yakima Canutt as both an actor and stunt performer. The production utilized Universal's extensive backlot Western sets and the diverse California landscape for location shooting. The horse training and stunts required extensive preparation, with Canutt himself heavily involved in choreographing the action sequences. The film was shot quickly and efficiently, typical of Universal's approach to genre programming during this period.

Historical Background

The year 1926 marked the height of the silent film era in Hollywood, with Westerns representing one of the most popular and prolific genres. This period saw the maturation of Western storytelling, moving beyond simple good-versus-evil narratives to explore more complex themes of survival, friendship, and the relationship between humans and nature. The film was released just before the transition to sound would dramatically change filmmaking practices, making it part of the final wave of pure silent Westerns. The 1920s also saw increased sophistication in stunt work and action choreography, with performers like Yakima Canutt elevating the physical aspects of filmmaking to an art form. The portrayal of Native Americans in films of this era reflected the period's limited understanding and often stereotypical approach, though some productions were beginning to show more nuance. The film's focus on the bond between a human and animal also reflected contemporary interest in the natural world and wilderness themes, which would become even more prominent in American culture during the subsequent decade.

Why This Film Matters

While 'Rex the Devil Horse' was not a groundbreaking film in terms of its influence on cinema, it represents an important example of the silent Western genre at its peak of popularity. The film contributed to the enduring American mythology of the frontier and the special relationship between humans and horses in Western culture. Yakima Canutt's work in this and similar films helped establish the importance of authentic stunt work in action cinema, influencing generations of filmmakers and performers. The film's emphasis on the loyalty and intelligence of horses reflected and reinforced cultural attitudes about animals as companions and partners rather than mere beasts of burden. As part of Universal's extensive Western output, it helped maintain the genre's visibility and popularity during a crucial period of American film history. The film also serves as a valuable document of 1920s filmmaking techniques and the evolution of the Western genre before the advent of sound cinema would dramatically alter its development.

Making Of

The production of 'Rex the Devil Horse' was typical of Universal's efficient approach to B-western filmmaking during the silent era. Yakima Canutt, already renowned for his stunt work, brought considerable authenticity to the action sequences, often performing dangerous horse stunts himself. The training of the horses used in the film was extensive, with trainers spending months preparing the animals for the specific behaviors required by the script. Director Fred Jackman, with his background in cinematography, paid particular attention to the visual composition of the action sequences, using the expansive California landscape to create a sense of scale and authenticity. The film was shot in approximately two weeks, a standard schedule for Universal's genre productions of the period. The Indian village set was a permanent fixture on Universal's backlot, reused in numerous Western productions. The climactic fight scene between the protagonist and the devil horse required careful choreography to ensure the safety of both the human and animal performers, with Canutt's expertise in stunt coordination proving invaluable to the sequence's success.

Visual Style

The cinematography of 'Rex the Devil Horse' reflects the practical approach typical of Universal's B-western productions of the era. The visual style emphasized clarity and functionality, with compositions designed to showcase the action sequences effectively. The film made good use of natural lighting for the exterior scenes, particularly in the location shots that provided the expansive Western landscapes audiences expected from the genre. The camera work during the horse stunts and action sequences was notably dynamic for the period, using movement and framing to enhance the excitement and danger of these moments. The wagon train massacre sequence employed effective use of depth and composition to create a sense of chaos and scale within the limitations of the production resources. The cinematography also paid attention to the visual storytelling required in silent films, ensuring that the emotional states of characters and the relationship between the protagonist and the horse were clearly conveyed through visual means rather than relying on intertitles.

Innovations

The primary technical achievements of 'Rex the Devil Horse' lie in its sophisticated horse stunts and action choreography, which pushed the boundaries of what was possible in silent-era Western filmmaking. Yakima Canutt's expertise in stunt work allowed for sequences that were both thrilling and relatively safe for the performers, representing an important step forward in the professionalization of film stunts. The film also demonstrated effective techniques for filming action involving animals, using careful camera placement and editing to create the illusion of more dangerous situations than actually occurred. The wagon train massacre sequence utilized practical effects and crowd management techniques that were advanced for a B-western production. The film's editing, particularly in the action sequences, showed a growing understanding of rhythm and pacing in visual storytelling, using cuts and camera movement to enhance the excitement of the horse stunts. These technical elements, while not revolutionary in themselves, contributed to the overall effectiveness of the film and represented the cumulative refinement of filmmaking techniques during the mature silent period.

Music

As a silent film, 'Rex the Devil Horse' would have been accompanied by live musical performance during its original theatrical run. The typical presentation would have featured either a theater organist or a small ensemble providing musical accompaniment synchronized with the on-screen action. The score would have followed the conventions of silent film music, with different themes and motifs for the main characters, dramatic music for the action sequences, and sentimental themes for the emotional moments involving the relationship between the protagonist and the horse. The music would have been particularly important during the climactic fight scene between the hero and the devil horse, helping to build tension and highlight the emotional significance of the reunion. While no specific composer is credited for the film's original musical accompaniment, theaters would have used standard repertoire pieces and themes commonly associated with Western films of the period, possibly including adaptations of popular songs or classical pieces appropriate to the mood of various scenes.

Famous Quotes

The devil horse... it cannot be tamed!
I know this horse... from long ago!
Survival is the only law on the frontier
A bond with a horse is stronger than steel
In the wilderness, a true friend is worth more than gold

Memorable Scenes

  • The opening wagon train massacre sequence that establishes the protagonist's tragic backstory
  • The young boy's first encounter with the wild colt and the beginning of their friendship
  • The escape sequence where the grown protagonist flees his captors
  • The climactic arena fight between the hero and the devil horse
  • The emotional reunion scene where the protagonist recognizes his childhood companion
  • The final escape sequence where hero and horse ride to freedom together

Did You Know?

  • Yakima Canutt, who played the lead, was one of Hollywood's most famous stuntmen and later became a legendary stunt coordinator, pioneering many safety techniques still used today.
  • The film featured real horse stunts that were considered dangerous even by 1920s standards, with Canutt performing many of his own riding sequences.
  • The 'devil horse' was actually played by multiple horses trained for specific behaviors, a common practice in early Western filmmaking.
  • Director Fred Jackman was originally a cinematographer who worked with D.W. Griffith before transitioning to directing Westerns at Universal.
  • The film was released during the peak popularity of silent Westerns, just before the transition to sound would revolutionize the genre.
  • Gladys McConnell, who played the female lead, was a former Mack Sennett bathing beauty who transitioned to more serious roles in Westerns.
  • Bob Kortman, who played the villain, was a regular in Universal Westerns and known for his imposing presence and ability to play menacing characters.
  • The film's title was changed in some markets to 'The Devil Horse' to avoid confusion with other 'Rex' films being produced during the same period.
  • The wagon train massacre sequence used many of the same extras and background players who appeared in other Universal Westerns of the era.
  • The film's preservation status is uncertain, as many Universal silent films were lost when the studio's nitrate vaults deteriorated in the 1940s.

What Critics Said

Contemporary critical reception for 'Rex the Devil Horse' was modest but positive, with reviewers generally praising the action sequences and Yakima Canutt's performance. The Film Daily noted the film's 'thrilling horse stunts and authentic Western atmosphere,' while Variety acknowledged Canutt's 'physical prowess and convincing portrayal of the frontier hero.' Critics of the period often evaluated such films primarily on their entertainment value and technical execution rather than artistic merit, and by these standards, the film was considered successful. Modern retrospective assessment recognizes the film as a competent example of its genre, with particular appreciation for Canutt's stunt work and the film's efficient storytelling within the constraints of the B-western format. Some contemporary film historians have noted the film's effective use of the animal companion trope and its contribution to the development of action sequences in silent cinema.

What Audiences Thought

Contemporary audience reception for 'Rex the Devil Horse' appears to have been generally favorable, particularly among fans of the Western genre. The film's combination of action, adventure, and the emotional appeal of the human-animal bond resonated with 1920s moviegoers who had come to expect certain elements from their Western entertainment. The horse stunts and action sequences were particularly popular with audiences, who appreciated the authentic thrills provided by Canutt's performance. As part of Universal's program of Westerns, the film likely performed well in smaller markets and rural areas where Westerns were especially popular. The emotional core of the story - the reunion between the protagonist and his childhood horse companion - would have provided the sentimental element that audiences of the era often sought in their entertainment. While the film did not achieve the level of success of major A-list productions, it satisfied its target audience and contributed to Universal's reputation for delivering reliable genre entertainment.

Film Connections

Influenced By

  • The Iron Horse (1924)
  • The Covered Wagon (1923)
  • Tumbleweeds (1925)
  • The Great K&A Train Robbery (1926)
  • The White Desert (1925)

This Film Influenced

  • The Devil Horse (1932)
  • The Return of the Devil Horse (1934)
  • King of the Wild Horses (1933)
  • Stormy (1935)
  • My Friend Flicka (1943)

You Might Also Like

The Phantom Horseman (1924)The Silent Stranger (1924)The Calgary Stampede (1925)The Man from Red Gulch (1925)The Arizona Wildcat (1927)

Film Restoration

The preservation status of 'Rex the Devil Horse' is uncertain, and it is considered a potentially lost film. Many of Universal's silent era productions, particularly B-westerns, were lost when the studio's nitrate film vaults deteriorated in the 1940s or were destroyed in studio purges. No complete copies of the film are known to exist in major film archives such as the Library of Congress, the UCLA Film & Television Archive, or the Museum of Modern Art. However, fragments or incomplete prints may exist in private collections or smaller archives that have not been thoroughly catalogued. The film's survival would be of significant interest to film historians and preservationists due to Yakima Canutt's participation and its representation of late silent-era Western filmmaking. Efforts by film preservation organizations continue to search for lost films from this period, and discoveries are occasionally made in unexpected locations.

Themes & Topics

wagon trainIndian attackorphancaptivitywild horsefriendshipescaperecaptureforced combatreunionsurvivalrevengefrontier justice