Also available on: Wikimedia
Chang: A Drama of the Wilderness

Chang: A Drama of the Wilderness

1927 69 minutes United States

"A Drama of the Wilderness! The Greatest Picture of Primitive Life Ever Filmed!"

Man vs. NatureSurvivalFamily BondsHuman-Animal RelationshipIndigenous Life

Plot

Chang follows the daily struggles of Kru, a humble farmer living with his wife Chantui and their children deep in the jungles of Northern Siam. The family's life is a constant battle against the wilderness, as they must protect their crops from wild animals and their home from the elements. Their existence is dramatically disrupted when a massive herd of elephants descends upon their village, trampling their fields and destroying their home. After the devastation, the family must rebuild from scratch while facing continued threats from tigers, leopards, and other jungle predators. The film culminates in an extraordinary sequence where the villagers unite to capture a wild elephant, showcasing their intricate relationship with the natural world and their remarkable survival skills in one of Earth's most challenging environments.

About the Production

Release Date April 24, 1927
Budget Not precisely documented, but estimated around $150,000-200,000 - a substantial sum for a documentary in 1927
Box Office Commercially successful, grossing approximately $500,000 domestically and earning significant international revenue
Production Famous Players-Lasky Corporation, Paramount Pictures
Filmed In Northern Siam (modern-day Thailand), Jungles near Nan Province, Remote village locations in Thailand

Filming took nearly two years (1925-1927) under extraordinarily dangerous conditions. The crew, including directors Schoedsack and Cooper, lived among the local villagers and faced numerous life-threatening situations, including close encounters with wild animals. Many scenes were staged but used real animals and local people, blurring the line between documentary and fiction. The filmmakers had to transport heavy camera equipment through dense jungle and often filmed from precarious positions, including trees and specially constructed platforms.

Historical Background

'Chang' was created during a transformative period in cinema history, occurring between the establishment of Hollywood as the global film capital and the transition from silent to sound films. The mid-1920s saw growing interest in ethnographic and expedition films, fueled by Western fascination with exotic cultures and distant lands. This era also marked the beginning of documentary filmmaking as a distinct genre, with pioneers like Robert Flaherty ('Nanook of the North') establishing new approaches to non-fiction cinema. The film's production coincided with the height of colonial exploration and Western interest in Southeast Asia, though it was relatively respectful in its portrayal of indigenous life compared to many contemporary works. The late 1920s also saw technological advances in portable camera equipment, making location filming in remote areas increasingly feasible. 'Chang' emerged at this crossroads of technological innovation, cultural curiosity, and artistic experimentation, helping to establish new possibilities for both documentary and narrative filmmaking.

Why This Film Matters

'Chang' holds a pivotal place in cinema history as one of the earliest feature-length documentaries to achieve mainstream commercial success. It helped establish the documentary genre as viable entertainment rather than purely educational content, demonstrating that real-life stories could be as compelling as fictional narratives. The film's innovative blend of documentary observation with dramatic storytelling influenced generations of filmmakers, from Disney's True-Life Adventures to modern nature documentaries. Its portrayal of indigenous people was relatively progressive for its time, showing them as complex individuals rather than exotic caricatures. The film also pioneered techniques in wildlife cinematography that would become standard practice, establishing visual language still used in nature programming today. 'Chang' demonstrated that audiences were hungry for authentic experiences and real-world drama, paving the way for reality television and modern documentary filmmaking. Its success proved that films set in non-Western cultures could find international audiences, expanding cinema's global perspective and encouraging more diverse storytelling.

Making Of

The making of 'Chang' was an extraordinary feat of filmmaking that pushed the boundaries of what was possible in the 1920s. Directors Cooper and Schoedsack, inspired by their previous documentary 'Grass' (1925), journeyed to Northern Siam with minimal equipment and a small crew. They lived alongside the local family for months, learning their language and customs while planning the film. The production faced constant challenges from the harsh jungle environment, including monsoons, disease-carrying insects, and the ever-present danger of wild animals. The filmmakers developed innovative techniques for wildlife photography, including building elevated platforms in trees and using long lenses to safely capture animal behavior. Many sequences that appear spontaneous were actually carefully orchestrated with the help of local villagers who understood animal behavior. The famous elephant stampede scene required the crew to dig trenches and hide cameras while coordinating with villagers to drive the animals through the village set. The production's authenticity came from its genuine integration with the local community and its willingness to wait for natural events to unfold, sometimes taking weeks to capture a single perfect shot.

Visual Style

The cinematography in 'Chang' was revolutionary for its time, employing techniques that were groundbreaking in the mid-1920s. Cinematographer Ernest B. Schoedsack (who also co-directed) developed innovative methods for capturing wildlife in their natural habitat, including the use of elevated platforms in trees and specially designed camera housings that could withstand the harsh jungle environment. The film features remarkable long shots that establish the vastness of the jungle and intimate close-ups that capture the emotional faces of its human subjects. The camera work during animal sequences was particularly daring, with photographers often placing themselves in dangerous positions to achieve dramatic footage. The use of natural lighting throughout creates an authentic, documentary feel, while the composition of shots demonstrates a sophisticated understanding of visual storytelling. The film's most celebrated sequence - the elephant stampede - was captured using multiple cameras strategically placed to show the destruction from various angles, a technique that would become standard in action filmmaking. The cinematography successfully balances the grand scale of nature with intimate human moments, creating a visual language that influenced both documentary and narrative cinema for decades.

Innovations

'Chang' pioneered numerous technical innovations that would influence filmmaking for decades. The production team developed custom camera equipment capable of withstanding extreme humidity and temperature fluctuations in the jungle environment. They created innovative camera housings and protective gear that allowed for filming in dangerous situations, including underwater scenes and close wildlife encounters. The film's editing techniques, particularly in the action sequences, established new standards for building tension and excitement in documentary footage. The use of multiple cameras to capture single events from different angles was revolutionary for its time. The production team also developed methods for transporting heavy equipment through difficult terrain, including building makeshift roads and using local elephants as pack animals. The film's special effects, while minimal, included clever use of miniatures and forced perspective shots that enhanced the scale of the jungle environment. The synchronization of real animal behavior with planned narrative sequences demonstrated unprecedented planning and technical skill. These achievements were particularly remarkable given the limitations of 1920s technology and the remote filming locations.

Music

As a silent film, 'Chang' was originally presented with live musical accompaniment that varied by theater. The score was typically composed by the theater's music director and ranged from full orchestral arrangements in urban movie palaces to simple piano accompaniment in smaller venues. The music emphasized the film's dramatic moments, particularly during animal attack sequences, and used authentic-sounding Asian-inspired motifs during scenes of village life. When the film was re-released in later years, various recorded scores were created, including versions by contemporary composers who attempted to blend traditional Siamese music with Western orchestral traditions. Some modern screenings feature newly commissioned scores that incorporate authentic Thai instruments and musical scales. The absence of dialogue in the original version meant that intertitles carried the narrative, but the visual storytelling was so effective that many scenes needed no text at all. The sound design in modern restorations includes ambient jungle sounds and animal noises that enhance the immersive experience while maintaining the film's documentary authenticity.

Famous Quotes

Nature is the great teacher - she shows us how to live and how to die.
In the jungle, every day is a battle for survival.
The elephant is the king of the jungle, but even kings must respect the strength of united men.
We take from the jungle only what we need, and we give back our respect.
When the wild beasts come, we do not run - we stand together as one.

Memorable Scenes

  • The devastating elephant stampede through the village, where massive elephants trample houses and crops in a terrifying display of nature's power
  • The tense tiger attack sequence where a leopard stalks the family's livestock and must be fought off with primitive weapons
  • The climactic elephant capture scene where the entire village works together using ancient techniques to trap and subdue a wild elephant
  • The opening sequence establishing the family's daily routine and their harmonious relationship with the jungle environment
  • The monsoon sequence showing the family's struggle against torrential rains and flooding

Did You Know?

  • The title 'Chang' is the Thai word for 'elephant', the central animal in the film's narrative
  • Directors Merian C. Cooper and Ernest B. Schoedsack would later create 'King Kong' (1933), using techniques they developed on 'Chang'
  • The film was nominated for the first-ever Academy Award for Best Unique and Artistic Production at the 1929 ceremony
  • Many animal attacks seen in the film were real and unscripted, putting both crew and local participants in genuine danger
  • The young boy who played one of the children was actually the son of the real family portrayed in the film
  • Cooper and Schoedsack spent over a year living with the Siamese family before filming began to gain their trust
  • The film's success led to a wave of jungle and adventure films throughout the late 1920s and 1930s
  • Some scenes were filmed using multiple cameras simultaneously to capture dangerous animal interactions from different angles
  • The elephant capture sequence took weeks to film and required coordination with dozens of local villagers
  • The film was one of the first to use the term 'documentary' in its marketing, though it contains staged elements

What Critics Said

Contemporary critics praised 'Chang' as a groundbreaking achievement in filmmaking. The New York Times hailed it as 'a remarkable picture of primitive life' that 'combines the educational value of a travelogue with the dramatic intensity of a feature film.' Variety called it 'one of the most exciting pictures ever produced' and particularly praised its 'thrilling animal sequences.' Modern critics recognize the film's historical importance while acknowledging its problematic elements. The Village Voice described it as 'a stunning achievement that blurs the line between documentary and fiction.' Film historian Kevin Brownlow noted that 'Chang' 'established a template for the adventure documentary that would influence filmmakers for decades.' Some contemporary reviewers criticize the film's staging of events and its romanticized view of jungle life, but most agree that its technical achievements and emotional power remain impressive. The film's selection for the National Film Registry in 1999 confirms its enduring cultural and artistic significance.

What Audiences Thought

Audiences in 1927 were captivated by 'Chang's exotic locations and thrilling sequences. The film was a box office success, particularly in urban centers where audiences were hungry for glimpses of distant lands. Many viewers reported being genuinely frightened by the animal attack scenes, which were unprecedented in their realism. The film's human elements resonated strongly with Depression-era audiences who could relate to themes of struggle and survival against overwhelming odds. Contemporary audiences viewing the film today often express admiration for its technical achievements and authentic feel, though some find the pacing slow by modern standards. The film maintains a cult following among classic film enthusiasts and documentary scholars. Online reviews frequently praise its 'breathtaking cinematography' and 'gripping narrative' while noting its historical importance as an early example of the documentary form. The film's power to transport viewers to another time and place remains undiminished after nearly a century.

Awards & Recognition

  • Academy Honorary Award (1929) - For Unique and Artistic Production (shared with 'The Jazz Singer' and 'Sunrise')
  • Photoplay Medal of Honor (1927) - One of the year's most distinguished pictures

Film Connections

Influenced By

  • Grass (1925) - Previous documentary by the same directors
  • Nanook of the North (1922) - Early documentary that established the genre
  • The Covered Wagon (1923) - Epic location filming
  • The Lost World (1925) - Early adventure film with exotic locations
  • Travelogue films of the 1920s

This Film Influenced

  • King Kong (1933) - Same directors, similar adventure themes
  • Mighty Joe Young (1949) - Similar human-animal interaction themes
  • The Elephant Boy (1937) - Similar setting and themes
  • Disney's True-Life Adventures series - Nature documentary approach
  • The Barefoot Executive (1971) - Elephant themes
  • Jurassic Park (1993) - Man vs. nature themes
  • The Revenant (2015) - Survival themes

You Might Also Like

Grass (1925)Nanook of the North (1922)Man of Aran (1934)The Story of the Kelly Gang (1906)South (1920)Moana (1926)The Silent World (1956)Koyaanisqatsi (1982)Baraka (1992)Microcosmos (1996)

Film Restoration

Preserved in the United States National Film Registry since 1999 for its cultural, historical, and aesthetic significance. The film exists in several archives, including the Library of Congress and the Museum of Modern Art. A restored version was released in 2005 with improved image quality and a new musical score. While some deterioration is visible in existing prints, the film is considered well-preserved for its age and remains accessible to scholars and the public.

Themes & Topics

JungleElephantsSurvivalThailandSiamDocumentaryWildlifeFamilyNatureAdventureSilent FilmTigersVillage LifeHuntingAgriculture