
"The Tramp's Greatest Escape!"
Charlie Chaplin stars as The Eel, a daring convict (number 23) who escapes from prison through a series of clever maneuvers while mocking his inept pursuers. After his escape, he encounters a wealthy family - the beautiful Edna, her mother, and her obnoxious suitor - who are drowning when their boat overturns near the shore. The Eel heroically rescues all three, nearly drowning himself in the process, and is taken to the family's mansion to recover. While recuperating at Judge Brown's home, he attends an upper-class social party where his natural charm and athleticism make him a sensation, causing him to become a romantic rival to the suitor for Edna's affection. However, the party is interrupted when prison guards arrive in pursuit of the escaped convict, leading to a frantic chase through the mansion as The Eel attempts to maintain his freedom and newfound romance.
This was Charlie Chaplin's final film for Mutual Film Corporation before his move to First National. The beach rescue sequences were particularly challenging to film, requiring multiple takes in the ocean water. The elaborate party scene was filmed on constructed sets at Chaplin's studio, featuring intricate choreography of physical comedy and social satire. The film showcases Chaplin's increasing confidence in combining slapstick humor with social commentary, particularly in his parody of upper-class society.
'The Adventurer' was produced during the height of World War I, a period when Chaplin's films provided much-needed comic relief to audiences worldwide. 1917 was also a pivotal year in cinema history, as the feature film format was beginning to dominate the industry. Chaplin's decision to leave Mutual for First National reflected the changing economics of filmmaking and his growing power as an independent producer. The film's themes of social class and rebellion against authority resonated with audiences experiencing the social upheavals of wartime America. This period also saw Chaplin becoming not just a film star but a global cultural icon, with his image recognized across continents.
The film represents a crucial transitional period in Chaplin's career, marking the end of his Mutual period and the beginning of his move toward feature-length productions. It exemplifies Chaplin's mastery of the short film format and his ability to blend physical comedy with social commentary. The film's parody of upper-class society and its celebration of the underdog became recurring themes throughout Chaplin's work. 'The Adventurer' also demonstrates Chaplin's evolving technique in combining sophisticated visual storytelling with his trademark pathos and humor. The film's preservation and continued exhibition have made it an important document of early cinematic comedy and Chaplin's artistic development.
The production of 'The Adventurer' marked the end of Chaplin's incredibly productive period with Mutual Film Corporation, where he created some of his most celebrated shorts. The beach rescue sequences proved particularly difficult, as Chaplin and the cast had to perform in the cold ocean waters of Santa Monica. Chaplin, known for his perfectionism, reportedly required numerous takes to achieve the precise comedic timing he wanted. The mansion party scenes were filmed on elaborate sets constructed at Chaplin's studio, allowing him complete control over the environment for his physical comedy. Eric Campbell, who plays the suitor, was one of Chaplin's favorite supporting actors, and their chemistry is evident throughout the film. Chaplin's growing confidence as a filmmaker is apparent in the sophisticated camera movements and editing techniques employed, which were advanced for the time.
The cinematography, credited to Roland Totheroh and William Daniels, showcases Chaplin's increasingly sophisticated visual style. The beach sequences feature dynamic camera work that captures the chaos of the rescue scenes, while the interior mansion shots demonstrate careful composition and lighting to enhance the comedic action. The film employs tracking shots and varied camera angles that were innovative for the time, particularly during the chase sequences. The contrast between the bright, open beach scenes and the more shadowed, intimate interior shots creates visual variety that enhances the storytelling.
The film demonstrates several technical innovations for its time, including sophisticated editing techniques that create seamless transitions between comedy and action sequences. The underwater photography used in the rescue scenes was particularly advanced for 1917. The film's use of location shooting at Santa Monica Beach, combined with studio work, showed Chaplin's ability to blend different production environments effectively. The elaborate chase sequence through the mansion required precise timing and coordination between actors, camera operators, and crew, showcasing the growing sophistication of film production techniques.
As a silent film, 'The Adventurer' was originally accompanied by live musical scores in theaters. For later re-releases and home video versions, Chaplin composed his own musical score, which he did for many of his early films. The typical orchestral accompaniment would have included popular songs of the era, classical pieces, and original compositions tailored to enhance the film's emotional and comedic moments. Modern restorations feature newly recorded scores based on Chaplin's musical intentions.
(Intertitle) 'Convict No. 23 - The Eel - Escaped!'
(Intertitle) 'A hero in the drawing room - but a convict on the run!'
(Intertitle) 'When love and liberty are at stake!'
(Intertitle) 'The party's over - the guards are here!'
Contemporary critics praised 'The Adventurer' as one of Chaplin's most accomplished Mutual shorts, with particular acclaim for its inventive gags and seamless blend of comedy and adventure. The film was noted for its more sophisticated narrative structure compared to earlier shorts. Modern critics and film historians consider it among the finest examples of Chaplin's Mutual period, highlighting its technical polish and the perfect balance of slapstick and sentiment. The film is often cited as demonstrating Chaplin's growing confidence as a filmmaker and his ability to elevate the comedy short to an art form.
The film was enormously popular with audiences upon its release, drawing large crowds to theaters worldwide. Audiences particularly enjoyed the elaborate chase sequences and Chaplin's heroic yet comic portrayal of The Eel. The film's themes of social mobility and the triumph of the common man resonated strongly with working-class audiences of the period. The romantic subplot between Chaplin and Edna Purviance's characters was also well-received, showcasing Chaplin's ability to create genuine emotional connection within his comedic framework.
The film is well-preserved and has been restored multiple times. The original negatives were carefully preserved by Chaplin himself and are now part of the Chaplin Archive. The film has been included in various DVD and Blu-ray collections, including The Chaplin Collection from MK2/Warner Bros. Recent restorations have used the best surviving elements to create high-quality digital transfers that preserve the film's original visual quality.