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The Mysterious Lady

The Mysterious Lady

1928 96 minutes United States

"Her Kisses Were a Lie... Her Love Was Real!"

Love versus dutyBetrayal and redemptionPolitical intrigueIdentity and deceptionSacrifice

Plot

In Vienna during World War I, Russian spy Tania Fedorova is tasked with seducing Austrian Captain Karl von Raden to obtain secret military plans. After successfully stealing the documents during a romantic encounter, Tania discovers she has genuinely fallen in love with Karl. When Karl is arrested and court-martialed for the security breach, Tania risks everything to clear his name, leading to a dramatic rescue mission and emotional reunion. The film explores the conflict between patriotic duty and personal love as both characters navigate the dangerous world of wartime espionage.

About the Production

Release Date September 8, 1928
Budget $423,000
Box Office $1,200,000 (domestic)
Production Metro-Goldwyn-Mayer (MGM)
Filmed In MGM Studios, Culver City, California, Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

The film was shot entirely on MGM's backlot with elaborate sets designed to recreate Vienna. Costume designer Adrian created over 30 costumes for Greta Garbo alone, including the famous black evening gown with feather trim. Production faced delays due to Garbo's notorious perfectionism and frequent retakes. The film was one of MGM's most expensive productions of 1928, with extensive use of miniatures and matte paintings for the European settings.

Historical Background

Released during the final golden age of silent cinema, 'The Mysterious Lady' emerged just as Hollywood was transitioning to sound technology. The film was produced during a period of intense political tension in Europe, with memories of World War I still fresh in public consciousness. The late 1920s saw a surge in spy-themed entertainment, reflecting growing international paranoia and the aftermath of wartime espionage. MGM was at its peak as a studio under Louis B. Mayer, investing heavily in prestige productions to showcase their roster of international stars. The film's release coincided with the peak of Garbo-mania, as the Swedish actress had become one of the biggest box office draws worldwide.

Why This Film Matters

The film represents a crucial milestone in establishing the spy romance genre, blending elements of political intrigue with passionate romance. It helped solidify Greta Garbo's image as the ultimate mysterious femme fatale, a persona that would define her career. The movie demonstrated the sophisticated storytelling possible in silent cinema, using visual symbolism and nuanced performances rather than intertitles. Its success proved that international audiences would embrace complex, morally ambiguous characters in mainstream entertainment. The film's exploration of duty versus love resonated with post-war audiences grappling with similar conflicts in their own lives.

Making Of

Director Fred Niblo faced significant challenges working with the notoriously difficult Greta Garbo, who often arrived late to set and demanded multiple takes. The production employed over 500 extras for the grand ballroom sequence, which took three days to film. Costume designer Adrian worked closely with Garbo to create her signature mysterious look, pioneering the use of shadow and lighting to enhance her enigmatic screen presence. The film's elaborate Vienna sets were so detailed that they were reused in several other MGM productions. The romantic scenes between Garbo and Nagel were considered daring for their time, requiring careful negotiation with the Hays Office to avoid censorship issues.

Visual Style

William H. Daniels employed innovative lighting techniques to create the film's mysterious atmosphere, using dramatic shadows and soft focus to enhance Garbo's enigmatic quality. The cinematography featured extensive use of backlighting and silhouettes, particularly in the espionage sequences. Daniels pioneered the use of gauze filters over the camera lens to create a dreamlike quality in romantic scenes. The film's visual style emphasized contrast between light and shadow, reflecting the moral ambiguity of the characters. The elaborate ballroom sequence utilized multiple cameras and complex lighting setups to capture the grandeur of the setting while maintaining intimate focus on the main characters.

Innovations

The film featured groundbreaking use of matte paintings and miniatures to create the illusion of Vienna on MGM's backlot. The production employed innovative techniques for creating realistic rain effects during outdoor scenes. The film's editing style was particularly sophisticated for its time, using cross-cutting to build tension between parallel action sequences. The costume department developed new methods for creating period-accurate military uniforms that looked authentic on camera. The film's special effects team created convincing document forgery sequences using in-camera techniques rather than post-production manipulation.

Music

As a silent film, it featured a compiled musical score performed live in theaters, often conducted by prominent musicians of the era. The original cue sheets indicated the use of classical pieces by composers like Johann Strauss II for the Vienna scenes, alongside dramatic original compositions for suspense sequences. The music was carefully synchronized to enhance emotional moments, with romantic themes for the love scenes and tense, staccato rhythms for the espionage sequences. Modern restorations have featured newly composed scores by silent film specialists, attempting to recreate the original musical experience.

Famous Quotes

Tania: 'I have learned that love is the only thing worth fighting for.'
Karl: 'In war, we are all traitors to someone.'
Tania: 'My country taught me to lie, but my heart taught me to love.'

Memorable Scenes

  • The grand ballroom sequence where Tania and Karl first meet, featuring hundreds of extras in period costume and elaborate choreography
  • The tense bedroom scene where Tania steals the military documents while Karl sleeps, using shadows and close-ups to build suspense
  • The emotional prison visit where Tania confesses her love and betrayal to Karl
  • The dramatic rescue sequence at the film's climax, combining action and romance as Tania helps Karl escape

Did You Know?

  • This was the first of three films Greta Garbo made with director Fred Niblo, followed by 'The Divine Woman' and 'The Kiss'
  • The film's original working title was 'The Spy' before being changed to 'The Mysterious Lady'
  • Greta Garbo's salary for this film was $3,000 per week, making her one of the highest-paid actresses in Hollywood
  • The film's success prompted MGM to immediately plan another Garbo vehicle, 'Wild Orchids'
  • Conrad Nagel was reportedly so intimidated by Garbo's fame that he had difficulty with their romantic scenes
  • The film featured one of the most expensive sets ever built at MGM at that time - a recreation of the Vienna Opera House
  • Greta Garbo's famous line 'I want to be alone' was NOT in this film, though many mistakenly attribute it to this period of her career
  • The film's cinematographer William H. Daniels would become Garbo's preferred cameraman, shooting 13 of her films
  • The movie was released just weeks before the Wall Street Crash of 1929, making it one of the last big successes of the silent era
  • A young Joan Crawford worked as an extra in the ballroom scenes

What Critics Said

Contemporary critics praised the film's lavish production values and Garbo's mesmerizing performance. The New York Times called it 'a picture of unusual beauty and dramatic power,' while Variety noted Garbo's 'magnetic screen presence' and the film's 'superb technical achievements.' Modern critics have reevaluated the film as a significant example of late silent cinema's artistic sophistication. Film historian Kevin Brownlow described it as 'one of Garbo's most emotionally complex silent roles.' The film is now recognized as a key work in both the spy genre and Garbo's filmography, showcasing the artistic heights reached before the sound revolution.

What Audiences Thought

The film was a major commercial success, grossing over $1.2 million domestically and performing exceptionally well in international markets. Audiences were particularly drawn to Garbo's performance and the film's blend of romance and suspense. The movie's popularity led to increased demand for Garbo films and helped establish Conrad Nagel as a leading romantic actor. Contemporary audience letters to fan magazines praised the film's emotional depth and visual beauty. The film's success at the box office demonstrated that sophisticated, adult-themed entertainment could attract mainstream audiences during the late silent period.

Awards & Recognition

  • Photoplay Medal of Honor for Best Picture of 1928

Film Connections

Influenced By

  • German Expressionist cinema
  • The spy novels of E. Phillips Oppenheim
  • Mata Hari's real-life story
  • European romantic melodramas of the 1920s

This Film Influenced

  • Mata Hari (1931)
  • Shanghai Express (1932)
  • The Scarlet Empress (1934)
  • Notorious (1946)
  • Casablanca (1942)

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Film Restoration

The film is preserved in the MGM film library and has been restored by Warner Bros. for home media release. A complete 35mm print exists in the UCLA Film and Television Archive. The film was included in the 2005 Garbo DVD collection and received a digital restoration in 2019 for the TCM Classic Film Festival.

Themes & Topics

spyromanceWorld War IAustriaRussiamilitary secretsseductionbetrayalespionageforbidden lovepolitical intriguecourt-martialrescueVienna