
Actor
Werner Krauss was a pioneering German actor whose career spanned from the silent era through the early sound period, becoming one of the most influential performers in German Expressionist cinema. Born in Bavaria in 1884, he began his career on the stage before transitioning to film, quickly establishing himself as a master of character transformation through elaborate makeup and intense physical performances. His breakthrough came with the dual role of Dr. Caligari and Cesare in 'The Cabinet of Dr. Caligari' (1920), which became a landmark of Expressionist cinema. Throughout the 1920s, he worked with legendary directors including F.W. Murnau, Fritz Lang, and Paul Leni, creating memorable characters that embodied the psychological intensity and visual stylization of the movement. Krauss's versatility allowed him to play everything from grotesque villains to sympathetic protagonists, with his performance in 'The Hunchback of Notre Dame' (1923) as Quasimodo being particularly acclaimed. During the Nazi regime, he was designated as 'Artist of the State' and appeared in controversial propaganda films, most notably 'Jud Süß' (1940), which would later tarnish his legacy. After World War II, he faced denazification proceedings and temporary bans from performing, but eventually returned to acting in the 1950s, continuing to work until his death in Vienna in 1959.
Krauss was a master of Expressionist acting, characterized by exaggerated physical movements, intense facial expressions, and complete physical transformation through makeup and costume. His style emphasized the psychological state of his characters through grotesque and dramatic gestures, making him perfectly suited for the stylized world of German Expressionism. He was known for his ability to play multiple roles in a single film, completely altering his appearance and mannerisms for each character. His performances often embodied the anxiety, alienation, and psychological turmoil that were central themes in Expressionist cinema.
Werner Krauss fundamentally shaped German Expressionist cinema through his revolutionary approach to character acting and physical transformation. His performance as Dr. Caligari created an archetype of the mad scientist that would influence horror cinema for decades, while his ability to embody multiple roles in a single film expanded the possibilities of screen acting. Krauss's work helped establish the visual and psychological vocabulary of Expressionism, influencing not only German cinema but also international film movements, particularly in horror and film noir. His techniques of character transformation through makeup and physicality became standard practices in character acting, and his performances remain studied examples of how physical expression can convey psychological states.
Werner Krauss's legacy remains complex and controversial due to his participation in Nazi propaganda films, particularly 'Jud Süß.' While his artistic contributions to German Expressionist cinema are undeniable and his performances in films like 'The Cabinet of Dr. Caligari' are considered masterpieces of the form, his wartime activities have permanently complicated his place in film history. Modern scholarship often debates how to separate his artistic achievements from his political choices, with some viewing him as a cautionary tale of artistic collaboration with totalitarian regimes. Despite these controversies, his influence on character acting and horror cinema cannot be denied, and his early work continues to be celebrated as pioneering achievements in cinematic performance.
Krauss influenced generations of character actors through his mastery of physical transformation and psychological portrayal. His Expressionist techniques can be seen in the work of later actors including Peter Lorre, Boris Karloff, and Lon Chaney Jr., who similarly used physical transformation to create memorable characters. The dual role technique he pioneered in 'The Cabinet of Dr. Caligari' influenced actors like Alec Guinness in 'Kind Hearts and Coronets' and Eddie Murphy in modern comedies. His approach to creating grotesque, psychologically complex characters became a template for horror film acting, particularly in the portrayal of villains and monsters.
Werner Krauss led a complex personal life marked by four marriages and significant controversy during the Nazi era. His relationships were often turbulent, and his political affiliations during the Third Reich would later cast a shadow over his artistic achievements. Despite his professional success, his later years were marked by attempts to distance himself from his wartime activities and rebuild his career in post-war Germany and Austria.
Trained at the Königliche Schauspielschule (Royal Acting School) in Munich
The actor must be a chameleon, changing colors to suit the environment of the character.
In Expressionism, we do not show reality as it is, but as it feels.
The face is the actor's canvas; makeup is merely the paint.
To play a monster, one must first understand the humanity within the beast.
Werner Krauss was a pioneering German actor best known for his work in German Expressionist cinema, particularly his iconic dual role as Dr. Caligari and Cesare in 'The Cabinet of Dr. Caligari' (1920). He was renowned for his ability to transform himself through makeup and physical performance, becoming one of the most influential character actors of the silent era.
Krauss is best known for 'The Cabinet of Dr. Caligari' (1920), 'The Hunchback of Notre Dame' (1923), 'The Last Laugh' (1924), 'Waxworks' (1924), and 'Faust' (1926). His performance as Quasimodo in 'The Hunchback of Notre Dame' is particularly celebrated as a masterpiece of silent film acting.
Werner Krauss was born on June 23, 1884, in Gestungshausen, Bavaria, Germany, and died on October 20, 1959, in Vienna, Austria, at the age of 75.
Krauss won the Volpi Cup for Best Actor at the Venice Film Festival in 1936 and received the German Film Award for Best Actor in 1957. He was also designated as 'Artist of the State' by the Nazi regime, though this honor is now viewed controversially.
Krauss was a master of Expressionist acting, characterized by exaggerated physical movements, intense facial expressions, and complete transformation through makeup. His style emphasized psychological states through grotesque gestures and was perfectly suited for the stylized world of German Expressionism.
Krauss played four different roles in 'The Cabinet of Dr. Caligari': Dr. Caligari, Cesare the somnambulist, and two other minor roles, demonstrating his remarkable versatility and transformation abilities.
The main controversy involves Krauss's participation in Nazi propaganda films, particularly 'Jud Süß' (1940), where he portrayed a Jewish character in an antisemitic film. This led to post-war denazification proceedings and a temporary ban from performing, permanently complicating his legacy despite his earlier artistic achievements.
10 films