The Burning Soil
"Brothers divided by oil and ambition"
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About this film
When farmer Rog dies, his eldest Peter takes over the farm while his youngest Johannes is determined for a better life: he becomes secretary to Count Rudenberg and starts courting his daughter Gerda. When he learns that the Count, who is terminally ill, has bequeathed a piece of land under which lies a petroleum field to his second wife, he courts her instead.
Cast & crew
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About the production
This was one of Murnau's early works, made during his peak creative period in the early 1920s. The film was produced during the height of German Expressionism, though it incorporates more naturalistic elements than some of Murnau's other works from this era.
Themes
Themes & topics
Historical background
Made in 1922, The Burning Soil reflects production norms of late silent cinema and the transition toward sound—shorter runtimes, regional audiences, and limited preservation infrastructure.
Why this film matters
Historians reference The Burning Soil (1922) when discussing 1922 film by F. W. Murnau.
Making of
The Burning Soil was made during Murnau's prolific period at Decla-Bioscop, where he created several of his most important early works. The film showcases Murnau's developing visual style and his interest in social themes. The petroleum field subplot was particularly relevant to the economic changes occurring in Germany at the time, as industrialization was transforming rural society.
What critics said
Trade and revival screenings have kept The Burning Soil (1922) on the map for collectors and scholars rather than mass first-run promotion.
Did you know?
- The original German title was 'Der brennende Acker' which literally translates to 'The Burning Field'
- This film was considered lost for many years before a copy was discovered and preserved
- Werner Krauss, who plays the father Rog, would later become infamous for his role in Nazi propaganda films
- The film explores themes of social mobility and class conflict that were particularly relevant in Weimar Republic Germany
Visual style
The cinematography, credited to Fritz Arno Wagner and Karl Freund, shows early examples of Murnau's innovative camera techniques, including dynamic movement and expressive lighting that would become more pronounced in his later works. The visual style blends Expressionist elements with more naturalistic approaches.
Innovations
The film demonstrates Murnau's early experimentation with camera movement and visual storytelling techniques that would become more refined in his later masterpieces. The use of location shooting and natural lighting was somewhat innovative for the period.
Music
As a silent film, it would have been accompanied by live musical performance in theaters. The original score is not documented, but typical accompaniment would have included orchestral or piano music that enhanced the dramatic moments.
Memorable scenes
- The confrontation scene between the two brothers when Johannes's betrayal is revealed, showcasing Murnau's ability to create emotional intensity through visual composition and performance.
What audiences thought
The film received moderate success upon its release in Germany, though it did not achieve the commercial success of some of Murnau's other works from this period. Audiences responded positively to the dramatic performances and the compelling family drama.
Film connections
Influenced by
- German Expressionism
- Nordic literature
- Weimar social drama
This film influenced
- Murnau's later social dramas
- Weimar rural dramas
Film restoration
The film was considered lost for decades but a copy has been preserved and restored. It is available through film archives and specialized distributors.
Where to watch
- Available through specialized film archives
- Some editions available on DVD/Blu-ray from classic film distributors
- Occasionally screened at film festivals and cinematheques specializing in silent cinema