F. W. Murnau

F. W. Murnau

Director

Born: December 28, 1888 in Bielefeld, German Empire Died: March 11, 1931 Active: 1919-1931 Birth Name: Friedrich Wilhelm Plumpe

About F. W. Murnau

F.W. Murnau (Friedrich Wilhelm Plumpe) was one of the most visionary and influential directors of the German Expressionist movement in silent cinema. After studying art history and literature at university and serving as a pilot in World War I, he began his film career in 1919, quickly establishing himself as a master of visual storytelling with films like 'Nosferatu' (1922) and 'The Last Laugh' (1924). His innovative use of camera movement, lighting, and psychological depth revolutionized cinematic language, particularly through his collaborations with cinematographer Karl Freund. In 1926, he moved to Hollywood at the invitation of Fox Studios, where he created his masterpiece 'Sunrise: A Song of Two Humans' (1927), which won the first Academy Award for Best Unique and Artistic Production. Murnau continued to push artistic boundaries with films like '4 Devils' (1928) and 'City Girl' (1930), though his Hollywood career was marked by studio interference. His life was tragically cut short on March 11, 1931, when he died in a car accident in Santa Barbara, California, at the age of 42, just a week before the premiere of his final film 'Tabu: A Story of the South Seas.'

The Craft

Behind the Camera

Murnau's directing style was characterized by revolutionary camera movement, German Expressionist visual aesthetics, and psychological depth. He pioneered techniques like the 'unchained camera' movement in 'The Last Laugh,' using tracking shots, crane shots, and subjective camera angles that were groundbreaking for silent cinema. His visual approach emphasized dramatic shadows, atmospheric lighting, and symbolic composition to convey emotional states and psychological themes. Murnau was known for his perfectionism, often demanding multiple takes and meticulous attention to visual detail, creating films that were both artistically ambitious and emotionally powerful.

Milestones

  • Directed 'Nosferatu' (1922), one of the most influential horror films ever made
  • Created 'The Last Laugh' (1924) with its revolutionary camera techniques
  • Won first Academy Award for Best Unique and Artistic Production for 'Sunrise' (1927)
  • Pioneered German Expressionist cinema in the 1920s
  • Moved from German to Hollywood cinema in 1926
  • Completed 'Tabu: A Story of the South Seas' (1931) just before his death

Best Known For

Must-See Films

  • Nosferatu (1922)
  • The Last Laugh (1924)
  • Sunrise: A Song of Two Humans (1927)
  • Faust (1926)
  • Tabu: A Story of the South Seas (1931)
  • Phantom (1922)
  • The Haunted Castle (1921)

Accolades

Won

  • Academy Award for Best Unique and Artistic Production (1927/28) for 'Sunrise: A Song of Two Humans'

Nominated

  • Academy Award nomination for Best Cinematography (1927/28) for 'Sunrise: A Song of Two Humans'

Special Recognition

  • Star on the Hollywood Walk of Fame (located at 6300 Hollywood Boulevard)
  • AFI's 100 Greatest American Films - 'Sunrise' ranked #82
  • Preserved in the National Film Registry by the Library of Congress for 'Nosferatu' (1997), 'The Last Laugh' (1995), and 'Sunrise' (1989)

Working Relationships

Worked Often With

  • Karl Freund (cinematographer)
  • Fritz Arno Wagner (cinematographer)
  • Carl Mayer (screenwriter)
  • Emil Jannings (actor)
  • Janet Gaynor (actress)
  • George O'Brien (actor)

Studios

  • UFA (Universum Film AG) - German studio
  • Fox Film Corporation - Hollywood studio
  • Paramount Pictures

Why They Matter

Impact on Culture

F.W. Murnau fundamentally transformed the language of cinema through his innovative visual techniques and psychological storytelling. His pioneering use of camera movement, particularly in 'The Last Laugh,' established new possibilities for cinematic expression that influenced generations of filmmakers. 'Nosferatu' created the visual template for vampire cinema that persists to this day, while 'Sunrise' demonstrated how silent film could achieve profound emotional depth through visual poetry. Murnau's work bridged German Expressionism and Hollywood classicism, demonstrating how artistic innovation could coexist with popular appeal. His films' exploration of dark psychological themes, moral ambiguity, and human suffering added depth to cinema's thematic possibilities.

Lasting Legacy

Murnau's legacy endures through his continued influence on horror cinema, visual storytelling, and film artistry. 'Nosferatu' remains one of the most revered horror films in cinema history, regularly cited by contemporary horror directors as a foundational influence. His technical innovations, particularly in camera movement and lighting, became standard tools in cinema that directors continue to employ. The preservation of his major films in the National Film Registry testifies to their enduring cultural significance. Film scholars and cinephiles continue to study his work as exemplars of cinematic art, with 'Sunrise' often ranked among the greatest films ever made. His tragic early death has contributed to his mythic status as a visionary artist whose potential was never fully realized.

Who They Inspired

Murnau's influence extends across decades of cinema, from German Expressionism to modern horror and art films. His visual style influenced Alfred Hitchcock's use of shadows and psychological tension, while his camera techniques inspired Orson Welles' dynamic cinematography in 'Citizen Kane.' Horror directors from James Whale to Guillermo del Toro have drawn on 'Nosferatu' for atmospheric and visual inspiration. Werner Herzog's 1979 remake of 'Nosferatu' demonstrates Murnau's lasting impact on German cinema. Contemporary directors like Tim Burton and Timur Bekmambetov continue to reference his visual aesthetic. His approach to visual storytelling without dialogue influenced music video directors and commercial filmmakers who rely on purely visual communication.

Off Screen

Murnau was known to be gay or bisexual, though this was never publicly acknowledged during his lifetime due to the social attitudes of the era. He never married and had no children. He was known for his intense, sometimes difficult personality on set, driven by his artistic perfectionism. His personal life remained relatively private, though he was known to have close relationships with some of his male collaborators. His death in a car accident occurred while he was being driven by his 14-year-old Filipino servant, who survived the crash.

Education

Studied art history and literature at the University of Heidelberg and the University of Berlin; also attended the University of Munich where he met Max Reinhardt and became involved in theater

Did You Know?

  • His stage name 'Murnau' came from the town of Murnau am Staffelsee in Bavaria, where he spent time recovering from World War I injuries
  • 'Nosferatu' was an unauthorized adaptation of Bram Stoker's 'Dracula' and led to a lawsuit by Stoker's widow; most copies were ordered destroyed, but some survived
  • He served as a pilot in the German Air Force during World War I and survived multiple crashes
  • His film 'Sunrise' was one of the most expensive films of its time, costing over $1.25 million in 1927
  • Many of his early German films are considered lost, including his first film 'The Boy in Blue' (1919)
  • He was known for his extreme perfectionism, sometimes shooting scenes dozens of times to achieve his vision
  • His car accident occurred just one week before the premiere of 'Tabu' in New York City
  • He was one of the first directors to use subjective camera angles to represent a character's point of view
  • His collaboration with cinematographer Karl Freund revolutionized camera movement in cinema
  • Despite his German heritage, he spoke fluent English and adapted well to Hollywood
  • He was known to rewrite scripts extensively during filming, often changing storylines based on his artistic vision

In Their Own Words

The camera is the director's pencil. It should have the capacity to change its focus, its aperture, its speed. It should be able to move and be moved, to grow and diminish, to approach and withdraw.
I believe that the film is the greatest of all arts because it is the most comprehensive.
I want to make pictures that are not just pictures, but experiences.
The secret of film is that it's a visual medium. The story must be told in pictures, not words.
Art is not a mirror held up to reality but a hammer with which to shape it.

Frequently Asked Questions

Who was F.W. Murnau?

F.W. Murnau was a pioneering German film director of the silent era, known for his innovative visual techniques and masterpieces like 'Nosferatu' and 'Sunrise.' He was a leading figure in German Expressionist cinema and later worked in Hollywood, where he won the first Academy Award for Best Unique and Artistic Production.

What films is F.W. Murnau best known for?

Murnau is best known for 'Nosferatu' (1922), his unauthorized adaptation of 'Dracula' that became a horror classic; 'The Last Laugh' (1924), renowned for its revolutionary camera techniques; 'Sunrise: A Song of Two Humans' (1927), his Hollywood masterpiece that won an Academy Award; and 'Faust' (1926), his grand interpretation of the classic German legend.

When was F.W. Murnau born and when did he die?

F.W. Murnau was born on December 28, 1888, in Bielefeld, German Empire, and died on March 11, 1931, in Santa Barbara, California, at the age of 42 in a car accident, just one week before the premiere of his final film 'Tabu.'

What awards did F.W. Murnau win?

Murnau won the Academy Award for Best Unique and Artistic Production at the first Academy Awards ceremony in 1929 for 'Sunrise: A Song of Two Humans.' His films have also been preserved in the National Film Registry, and he received a star on the Hollywood Walk of Fame for his contributions to cinema.

What was F.W. Murnau's directing style?

Murnau's directing style was characterized by German Expressionist visual aesthetics, revolutionary camera movement, and psychological depth. He pioneered techniques like the 'unchained camera,' using tracking shots and subjective angles that were groundbreaking for his time. His films emphasized dramatic shadows, atmospheric lighting, and symbolic composition to convey emotional states and themes.

Learn More

Films

8 films