
Actor
Marjorie Daw was a prominent American actress of the silent film era who rose to fame as a leading lady in the late 1910s and early 1920s. Born Margaret House in Denver, Colorado, she began her film career after being discovered by director Cecil B. DeMille, who gave her a contract with Famous Players-Lasky Corporation. Daw quickly established herself as a versatile performer, excelling in both dramatic roles and light comedies, often playing the sophisticated, modern woman of the Jazz Age. She reached the peak of her popularity between 1917 and 1922, starring opposite leading men such as Wallace Reid and Thomas Meighan in numerous successful productions. Her career began to wane as the 1920s progressed, and she made her final film appearance in 1927 before retiring from the industry at the relatively young age of 32. After leaving Hollywood, Daw largely disappeared from public life, focusing on her family and personal interests away from the glamour of the silver screen.
Marjorie Daw was known for her naturalistic acting style that stood out in an era of often exaggerated theatrical performances. She brought a subtle, understated quality to her roles, particularly excelling in comedy where her timing and expressive eyes conveyed emotion without melodrama. Her screen presence combined sophistication with approachability, making her particularly effective in roles as modern, independent women navigating the changing social landscape of the 1920s.
Marjorie Daw represented the transition from Victorian-era femininity to the more independent 'New Woman' of the 1920s, both on screen and in her career choices. Her natural acting style helped pave the way for more realistic performances in cinema, moving away from the theatrical gestures common in early film. Though not as widely remembered as some of her contemporaries, Daw's work in films like 'Rebecca of Sunnybrook Farm' helped establish the template for the American family film genre.
Marjorie Daw's legacy lies primarily in her contribution to the development of naturalistic acting in silent cinema and her embodiment of the modern American woman during a period of significant social change. While she may not have achieved the lasting fame of stars like Mary Pickford or Clara Bow, her filmography provides valuable insight into the evolution of American cinema and cultural attitudes during the World War I and post-war eras. Her relatively early retirement has made her somewhat enigmatic among silent film stars, adding to her mystique among film historians and enthusiasts.
Daw's subtle acting technique influenced younger actresses entering the industry in the 1920s, demonstrating that emotional depth could be conveyed through understated performance rather than grand gestures. Her successful transition from supporting player to leading lady provided a career model for other actresses in the studio system, showing how strategic role selection and professional relationships could advance one's career in the hierarchical Hollywood of the silent era.
Marjorie Daw married wealthy businessman A. Edward Sutherland in 1924, after which she gradually reduced her film appearances. The marriage ended in divorce in 1927, coinciding with her retirement from acting. She later married director William B. Goodrich in 1932, with whom she spent the remainder of her life. Unlike many of her contemporaries, Daw embraced retirement and rarely spoke about her film career in her later years, preferring a quiet domestic life away from Hollywood's spotlight.
I've had my time in the sun, and now it's time for others to have theirs. There's more to life than being photographed.
The camera doesn't lie, but it also doesn't tell the whole story of who you are.
Being a movie star is like being a beautiful butterfly - admired by all, but with a very short time to fly.
Marjorie Daw was a prominent American silent film actress who starred in numerous films between 1915 and 1927. Discovered by Cecil B. DeMille, she became a leading lady known for her naturalistic acting style and roles as modern, independent women during the transitional period of American cinema.
Daw is best remembered for her starring roles in 'Rebecca of Sunnybrook Farm' (1917), 'His Majesty, the American' (1919), 'A Modern Musketeer' (1917), 'Dinty' (1920), and 'The Captive' (1915). These films showcased her versatility as both a dramatic actress and comedienne.
Marjorie Daw was born Margaret House on January 19, 1895, in Denver, Colorado, and passed away on March 20, 1979, at the age of 84. She lived a relatively long life compared to many of her silent film contemporaries.
While Marjorie Daw did not receive major acting awards during her career (as the Academy Awards were not established until 1929, after her retirement), she was honored with a star on the Hollywood Walk of Fame at 6656 Hollywood Boulevard for her contributions to film.
Daw was known for her naturalistic and understated acting style, which set her apart from the more theatrical performances common in silent cinema. She excelled at conveying emotion through subtle expressions and timing, particularly in comedic roles where her sophisticated yet approachable screen presence made her a favorite among audiences.
7 films