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My Man Godfrey

My Man Godfrey

1936 94 minutes United States

"The picture that proves you can be a forgotten man without being a forgotten picture!"

Class inequalityRedemptionSocial responsibilityLove transcending social barriersThe dignity of the poor

Plot

During a high society scavenger hunt, flighty heiress Irene Bullock discovers Godfrey Park living in a Hooverville shantytown by the East River and recruits him as her 'forgotten man' to win the contest. Impressed by his dignity, Irene hires Godfrey as the Bullock family's butler, much to the consternation of her cynical sister Cornelia, who had previously tried to humiliate Godfrey during the hunt. As Godfrey brings order to the chaotic Bullock household, Irene falls deeply in love with him while he secretly works to help the forgotten men of the Hooverville where he once lived. The film reaches its climax when Godfrey reveals his true identity as a wealthy Harvard graduate who voluntarily lived among the poor to escape his own family's dysfunction, ultimately teaching the Bullocks about compassion and humanity while finding his own path forward.

About the Production

Release Date September 6, 1936
Budget $600,000
Box Office $1.5 million (approximately)
Production Universal Pictures
Filmed In Universal Studios lot, Universal City, California

The film was notably the first to receive Academy Award nominations in all four acting categories. William Powell and Carole Lombard had divorced two years earlier but maintained excellent professional chemistry. The Hooverville set was constructed on the Universal backlot and was remarkably detailed for its time. Director Gregory La Cava was known for his improvisational style, often encouraging actors to deviate from the script to find more authentic moments. The film was shot in just 32 days, an incredibly fast schedule even for that era.

Historical Background

My Man Godfrey was produced during the height of the Great Depression, a time when Hoovervilles (shantytowns named after President Herbert Hoover) dotted the American landscape and unemployment reached 25%. The film directly addressed the class tensions of the era while providing escapist entertainment. The 'forgotten man' concept referenced President Franklin D. Roosevelt's inaugural address, where he spoke of helping the forgotten man at the bottom of the economic pyramid. The film's sympathetic portrayal of the wealthy learning compassion from the poor resonated with audiences struggling through economic hardship. Released during Roosevelt's New Deal era, the film reflected growing social consciousness about inequality while maintaining the optimistic spirit that characterized American cinema of the mid-1930s.

Why This Film Matters

My Man Godfrey is considered a quintessential screwball comedy, helping to define the genre with its blend of sophisticated wit, social commentary, and romantic comedy. The film established many tropes that would become staples of the genre, including the battle of the sexes, class satire, and the theme of crazy families. Its success proved that audiences would embrace films addressing serious social issues through comedy. The film's sympathetic portrayal of homelessness and class inequality was groundbreaking for mainstream Hollywood cinema of the 1930s. It influenced countless subsequent films and remains a touchstone for filmmakers working in the romantic comedy genre. The film's preservation in the National Film Registry underscores its enduring cultural importance.

Making Of

Director Gregory La Cava was known for his unorthodox methods, often encouraging improvisation and allowing actors to find their own rhythms within scenes. William Powell and Carole Lombard, despite their recent divorce, maintained a warm professional relationship that translated into electric on-screen chemistry. La Cava would frequently rewrite scenes overnight based on the actors' discoveries during the day's filming. The famous 'forgotten man' sequence was shot in a single day with actual homeless men from Los Angeles as extras, adding authenticity to the Hooverville setting. The film's rapid production schedule was made possible by La Cava's preparation and the cast's professionalism. Mischa Auer, who played the piano-playing protégé Carlo, was a classically trained musician who actually performed all his own piano pieces in the film.

Visual Style

The cinematography by Ted Tetzlaff employed sophisticated lighting techniques that highlighted the contrast between the opulent Bullock mansion and the stark Hooverville. Tetzlaff used soft focus for the romantic scenes and more dramatic lighting for the comedy sequences. The camera work was notably fluid for its time, with smooth tracking shots that followed the actors through the chaotic Bullock household. The film's visual style helped establish the look of screwball comedies, with bright, high-key lighting for the comedy scenes and more romantic, shadowy lighting for the intimate moments between Godfrey and Irene.

Innovations

My Man Godfrey showcased advanced sound recording techniques for its time, particularly in capturing the rapid-fire dialogue that characterized screwball comedies. The film's editing, by Ted J. Kent, was notable for its pacing, maintaining comedic rhythm while allowing for character development. The Hooverville set construction was technically impressive, creating a realistic shantytown environment that stood up to close scrutiny. The film's success in balancing multiple storylines and characters while maintaining narrative coherence was considered an achievement in screenwriting and direction.

Music

The musical score was composed by Heinz Roemheld, who incorporated both popular songs of the era and original compositions. The film features several memorable musical moments, including Mischa Auer's character Carlo performing classical piano pieces that serve as comic relief. The soundtrack exemplifies the sophisticated approach to film music developing in Hollywood during the mid-1930s, with music used to enhance both comedic and romantic elements. The film's theme music became recognizable enough to be referenced in subsequent Universal productions.

Famous Quotes

All you have to do is just look me straight in the eye and say 'Godfrey, I love you.'
I have a gentleman in the back. I have a gentleman in the kitchen. I have a gentleman in the bathtub!
The only difference between a derelict and a man is a job.
You have a wonderful sense of humor. I wish I had a sense of humor, but I can see the funny side of things.
I went down to the bottom of the heap and I found out what it was like to be a forgotten man.
May I be frank? You can be anybody you like.
Prosperity is just around the corner. You're looking at it.

Memorable Scenes

  • The opening scavenger hunt scene where Irene discovers Godfrey in the Hooverville, establishing the film's social commentary and romantic premise.
  • The chaotic breakfast scene where Godfrey first witnesses the Bullock family's dysfunction, showcasing the film's masterful ensemble comedy.
  • Godfrey teaching the Bullock family how to make breakfast, demonstrating his transformative influence on the household.
  • The final revelation scene where Godfrey exposes his true identity and explains his philosophy about helping others.

Did You Know?

  • This was the first film in Oscar history to receive nominations in all four acting categories (Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress).
  • William Powell and Carole Lombard had been married from 1931-1933 and divorced amicably, making their on-screen chemistry particularly authentic.
  • The character of Godfrey was originally written for someone more physically imposing, but Powell's sophisticated interpretation won over the producers.
  • The film's success helped establish the 'screwball comedy' as a major Hollywood genre during the 1930s.
  • Alice Brady, who played the mother, won the Academy Award for Best Supporting Actress but couldn't attend the ceremony - her award was stolen by a man who rushed the stage claiming to accept it on her behalf.
  • The Hooverville set was so realistic that some visitors to the studio thought it was a real shantytown.
  • Director Gregory La Cava was a former animator and brought a visual flair to the film's physical comedy sequences.
  • The film was remade in 1957 with June Allyson and David Niven, but the original is widely considered superior.
  • My Man Godfrey was selected for preservation in the National Film Registry in 1999 for its cultural, historical, and aesthetic significance.
  • The film's title comes from a line Irene delivers when introducing Godfrey to her family: 'This is my man, Godfrey.'

What Critics Said

Contemporary critics hailed My Man Godfrey as a masterpiece of sophisticated comedy. The New York Times praised its 'brilliant dialogue and expert direction,' while Variety called it 'one of the year's best pictures.' Modern critics continue to celebrate the film; Roger Ebert included it in his Great Movies collection, praising its 'perfect blend of social satire and romantic comedy.' The film holds a 94% rating on Rotten Tomatoes, with critics consensus calling it 'a witty and sophisticated screwball comedy that stands as one of the genre's finest examples.' Film scholars frequently cite it as a prime example of how Hollywood could address social issues within the constraints of the studio system.

What Audiences Thought

My Man Godfrey was a major box office success upon its release, resonating with Depression-era audiences who appreciated its blend of escapist entertainment and social relevance. The film's themes of compassion and understanding across class lines struck a chord with viewers struggling through economic hardship. Audiences particularly embraced the chemistry between Powell and Lombard, making them one of the most popular screen teams of the era. The film's popularity has endured through decades, with it regularly appearing in polls of the greatest comedies ever made. Modern audiences continue to discover the film through revivals, home video, and streaming platforms, maintaining its status as a beloved classic.

Awards & Recognition

  • Academy Award for Best Actress (Carole Lombard - nomination)
  • Academy Award for Best Actor (William Powell - nomination)
  • Academy Award for Best Supporting Actress (Alice Brady - WINNER)
  • Academy Award for Best Supporting Actor (Mischa Auer - nomination)
  • Academy Award for Best Director (Gregory La Cava - nomination)
  • Academy Award for Best Writing (Screenplay) - nomination

Film Connections

Influenced By

  • It Happened One Night (1934)
  • The Thin Man (1934)
  • Bringing Up Baby (1938)

This Film Influenced

  • The Philadelphia Story (1940)
  • Arsenic and Old Lace (1944)
  • Some Like It Hot (1959)
  • When Harry Met Sally (1989)

You Might Also Like

The Awful Truth (1937)Bringing Up Baby (1938)His Girl Friday (1940)The Lady Eve (1941)Ball of Fire (1941)

Film Restoration

My Man Godfrey was selected for preservation in the United States National Film Registry in 1999 by the Library of Congress for being 'culturally, historically, or aesthetically significant.' The film has been fully restored and preserved in both 35mm and digital formats. Universal Pictures maintains high-quality preservation elements, and the film is regularly screened at revival theaters and film festivals. The restoration has ensured that the film's visual and audio quality remains excellent for modern audiences.

Themes & Topics

screwball comedybutlersocialitescavenger huntclass differencesromancemistaken identityHoovervilleforgotten manfamily comedy