
Actor
Edwin August was a pioneering American actor, director, and screenwriter who flourished during the silent film era. Born Edwin August Schneider in New York City, he began his film career in 1909 with the Biograph Company, working alongside legendary director D.W. Griffith. August quickly became a prominent leading man in early silent shorts, appearing in dozens of films between 1909 and 1913, often working with popular actresses like Mary Pickford and Florence Lawrence. In 1912, he transitioned successfully to directing, helming numerous short films for various studios including Reliance and Majestic. His directorial work often featured romantic melodramas and comedies that were popular with contemporary audiences. After his peak period in the early 1910s, August's film career gradually declined, though he continued working in the industry into the 1920s. He retired from filmmaking before the sound era began, having contributed significantly to the development of American cinema during its formative years.
August was known for his naturalistic acting style that was ahead of its time in the early silent era. He avoided the exaggerated gestures common among his contemporaries, instead favoring subtle facial expressions and body language to convey emotion. His performances were characterized by a dignified presence and emotional depth, making him particularly effective in romantic and dramatic roles. Critics of the time praised his ability to convey complex emotions through minimal movement, a technique that would later become standard in film acting.
Edwin August played a significant role in the development of American cinema during its formative years. As one of the early leading men at Biograph, he helped establish the prototype for the romantic hero in American silent films. His naturalistic acting style influenced subsequent generations of actors who moved away from theatrical gestures toward more subtle film performances. As a director, he contributed to the evolution of film language through his innovative camera work and storytelling techniques. August's work during the transitional period from one-reelers to feature films helped shape the direction American cinema would take in the following decades.
Edwin August's legacy lies primarily in his contributions to early American cinema as both an actor and director during the crucial period of 1909-1915. While he is not as widely remembered today as some of his contemporaries, his work exemplifies the rapid development of film art during the silent era. His films serve as important historical documents showing the evolution of acting styles, directing techniques, and narrative structures in early American cinema. August represents the generation of filmmakers who helped establish the foundation of Hollywood's golden age, even if their names have faded from popular memory.
August's naturalistic acting approach influenced the transition away from theatrical acting styles in early cinema. His work with D.W. Griffith helped establish techniques that would become standard in film acting. As a director, his efficient storytelling and visual clarity influenced other filmmakers of the period. While he didn't mentor many famous names directly, his work contributed to the professionalization of film directing during the industry's early years.
Edwin August was married twice during his lifetime. His first marriage was to actress Eleanor Bache in 1910, which ended in divorce in 1915. He later married actress Florence Deshon in 1919, though this marriage also ended in divorce. August was known for his professional demeanor and dedication to his craft, though he maintained a relatively private personal life away from the film set. After retiring from the film industry, he lived a quiet life in Los Angeles until his death in 1964.
Limited information available; likely received basic education in New York City before entering show business
The camera doesn't lie, but it does require truth from the actor.
In pictures, we must show, not tell. The eyes say more than words ever could.
Edwin August was an American actor, director, and screenwriter who was prominent during the silent film era, particularly active between 1909 and 1915. He began his career with the Biograph Company working under D.W. Griffith and later became a successful director of short films.
August is best known for his early Biograph shorts including 'The Son's Return' (1909), 'The Lure of the Gown' (1909), and 'The Fugitive' (1910). As a director, he was noted for the 'Molly' series and various melodramas and comedies in the early 1910s.
Edwin August was born on November 10, 1883, in New York City, and died on March 25, 1964, in Los Angeles, California, at the age of 80.
Edwin August did not receive major formal awards during his career, as the award systems we know today were not established during his active period. However, he is recognized as an important pioneer of early American cinema.
August was known for his naturalistic acting style that avoided the exaggerated gestures common in early silent films. As a director, he emphasized clear storytelling, innovative camera work, and efficient pacing, influenced by his time working with D.W. Griffith.
11 films