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Through The Back Door

Through The Back Door

1921 72 minutes United States

"The Little Girl Who Came Through The Back Door To Claim Her Mother's Love"

Family separation and reunificationClass division and social mobilityIdentity and self-discoveryThe aftermath of warMother-daughter relationships

Plot

Jeanne, a young Belgian girl, has been raised by her devoted nanny after being separated from her mother during the chaos of World War I. When her nanny falls ill and needs expensive medical treatment, Jeanne travels to America to find her wealthy biological mother, who believes her daughter died in the war. Upon arrival, Jeanne discovers her mother has remarried and doesn't recognize her, forcing the young girl to work as a maid in her own mother's household. Through a series of dramatic events and heartfelt revelations, Jeanne must prove her identity while navigating the complexities of class, family, and the lasting trauma of war.

About the Production

Release Date May 1, 1921
Box Office Successful - Mary Pickford films were consistently profitable during this period
Production Mary Pickford Corporation, United Artists
Filmed In Hollywood, California, Studio interiors at Pickford-Fairbanks Studios

Mary Pickford played dual roles in this film, portraying both the young Jeanne and her mother, requiring sophisticated split-screen techniques and careful coordination. The film was one of several productions Pickford made that addressed contemporary social issues, in this case, the aftermath of World War I. The production utilized elaborate sets to recreate both Belgian and American environments of the period.

Historical Background

The film was produced in the immediate aftermath of World War I, when American society was still processing the war's impact and the massive displacement it caused. 1921 marked a period of significant transition in Hollywood, with the establishment of United Artists the previous year creating new opportunities for star producers like Pickford. The film's themes of family separation and reunification reflected real-world experiences of many families affected by the war. This was also during the height of the silent film era, before the transition to sound would revolutionize the industry. The movie's exploration of class differences and social mobility resonated with the rapidly changing American social landscape of the early 1920s.

Why This Film Matters

'Through The Back Door' represents an important example of Mary Pickford's mature work as both an actress and producer, showcasing her ability to combine commercial appeal with social commentary. The film contributed to the development of the dual role narrative device in cinema, which would become a popular trope in subsequent decades. Its success demonstrated the viability of films addressing contemporary social issues within the commercial framework of Hollywood entertainment. The movie also exemplified the power of female-centered narratives in early cinema, with Pickford's character driving the entire plot. The film's international setting and themes helped broaden American cinema's global perspective during a period when the industry was becoming increasingly influential worldwide.

Making Of

The production of 'Through The Back Door' employed innovative techniques for its dual role performances, requiring Mary Pickford to act opposite herself in several scenes. The film's production team developed sophisticated matte painting and double exposure methods to create convincing interactions between the two characters played by Pickford. Director Alfred E. Green, who frequently collaborated with Pickford, worked closely with cinematographer Charles Rosher to achieve the visual effects needed for the dual role sequences. The film's elaborate sets included detailed recreations of both Belgian village scenes and luxurious American interiors, reflecting the high production values associated with Pickford films. The casting process was particularly important, as Pickford needed supporting actors who could convincingly interact with her dual performances without breaking the illusion.

Visual Style

The cinematography by Charles Rosher employed innovative techniques for the dual role sequences, using careful camera placement and timing to create convincing interactions between Pickford's two characters. The film featured elaborate lighting schemes to distinguish between the Belgian and American settings, with the war-torn European scenes using darker, more dramatic lighting while the American interiors employed brighter, more glamorous illumination. The cinematography utilized the full range of silent film visual storytelling, with expressive close-ups and carefully composed wide shots to establish the social hierarchies central to the plot. The camera work was particularly praised for its technical achievement in making the dual role scenes believable to contemporary audiences.

Innovations

The film's most significant technical achievement was its sophisticated use of double exposure and matte painting techniques to create convincing dual role scenes. The production team developed innovative methods for split-screen photography that were considered groundbreaking for 1921. The film featured elaborate set constructions that could be filmed from multiple angles to support the dual role sequences. Specialized makeup techniques were employed to help Pickford convincingly portray both a young girl and her adult mother. The movie's editing techniques, particularly in the scenes involving both characters, demonstrated advanced understanding of continuity and spatial relationships in early cinema.

Music

As a silent film, 'Through The Back Door' would have been accompanied by live musical performances during its original theatrical run. The typical score would have been provided by theater organists or small orchestras, using cue sheets provided by the studio. The music would have featured dramatic themes for the war sequences, tender melodies for the mother-daughter moments, and lighter compositions for the comedy elements. The original musical cues emphasized the emotional beats of the story and helped guide audience responses to the narrative developments. Modern restorations of the film have been accompanied by newly composed scores that attempt to capture the spirit of silent film accompaniment while appealing to contemporary audiences.

Did You Know?

  • Mary Pickford famously played both the young daughter Jeanne and her mother in the same film, a technical achievement for 1921 cinema
  • The film was one of the first productions released through United Artists, the studio co-founded by Pickford, Chaplin, Fairbanks, and Griffith
  • Pickford was 28 years old when she played the young Jeanne, demonstrating her remarkable ability to portray child characters convincingly
  • The film's title 'Through The Back Door' referred to both Jeanne's literal entry into her mother's home as a servant and the metaphorical back door approach to family reconciliation
  • The production featured elaborate recreations of Belgian war-torn villages, which were praised for their authenticity
  • This was one of several Pickford films that addressed post-WWI themes, reflecting her awareness of contemporary social issues
  • The film's success helped establish the formula of Pickford playing dual roles, which she would repeat in several subsequent productions
  • Gertrude Astor, who played the antagonist, was one of the few actresses willing to play against Pickford's popular image
  • The film's release coincided with the peak of Pickford's popularity, when she was known as 'America's Sweetheart'
  • The movie's themes of class division and family separation resonated strongly with post-war American audiences

What Critics Said

Contemporary critics praised Mary Pickford's dual performance as technically impressive and emotionally compelling. The film was noted for its sophisticated handling of serious themes within an accessible entertainment format. Critics of the era particularly appreciated the film's visual effects and the seamless integration of Pickford's dual roles. Modern film historians recognize 'Through The Back Door' as an important example of Pickford's transition from purely child roles to more complex characters. The film is often cited in discussions of early cinema's treatment of war-related themes and family drama. Current critics view the movie as a significant artifact of silent film craftsmanship and Pickford's artistic development.

What Audiences Thought

The film was warmly received by audiences in 1921, who were drawn to Pickford's star power and the emotionally resonant storyline. The movie performed well at the box office, continuing Pickford's streak of commercial successes during this period. Contemporary audience response letters and reviews indicate that viewers particularly connected with the film's themes of family reunification and the triumph of love over social barriers. The film's success demonstrated the public's appetite for stories that addressed post-war realities while providing emotional catharsis. Modern audiences who have seen the film through revival screenings or home media appreciate its historical significance and Pickford's remarkable performance.

Film Connections

Influenced By

  • The tradition of theatrical dual role performances
  • Contemporary post-war literature addressing family separation
  • Pickford's previous successful films featuring child characters
  • The growing trend of socially conscious melodramas in early cinema

This Film Influenced

  • Subsequent Mary Pickford films featuring dual roles
  • Later Hollywood films addressing war-related family separation
  • Melodramas featuring class-crossing narratives
  • Films using technical innovations for dual role performances

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Pollyanna1920Little Lord Fauntleroy1921Rosita1923Sparrows1926Coquette1929Stella Maris1918Rebecca of Sunnybrook Farm1917],famousQuotesI came through the back door, but I'm your daughter just the same,Love knows no class distinction,Even in war, a mother's heart knows her child,Money can buy many things, but not a mother's love,Sometimes the longest journey is the one that leads back homememorableScenesThe dramatic revelation scene where Jeanne proves her identity to her skeptical mother through a childhood lullaby,The emotional climax where mother and daughter finally embrace, transcending class and time barriers,The technical marvel scene where both of Pickford's characters appear together in the same frame,The poignant opening sequence showing the separation of mother and child during the chaos of war,The tense dinner scene where Jeanne serves her own mother, unrecognized, highlighting class divisionspreservationStatusThe film is preserved in the Library of Congress collection and has been restored by major film archives. While not completely lost, some elements may show deterioration typical of films from this era. The Mary Pickford Foundation has worked to preserve and restore many of Pickford's films, including this one. Modern restorations are available through specialized film archives and occasionally shown at revival screenings.whereToWatchAvailable through the Mary Pickford Foundation's official website,Occasionally screened at film festivals and revival theaters,Available on some specialized streaming platforms featuring classic films,Accessible through university film libraries and archives,Included in some home media collections of Mary Pickford's work

Themes & Topics

dual roleWorld War Ifamily dramaclass differencesidentity questmother-daughter relationshipservant-master dynamicwar orphansocial climbingemotional reunion