
The film depicts the tragic story of Anne Boleyn, who catches the eye of King Henry VIII while serving as a lady-in-waiting to his first wife, Catherine of Aragon. Henry becomes obsessed with Anne and seeks to divorce Catherine, leading to England's break with the Catholic Church and the establishment of the Church of England. After marrying Anne and making her queen, Henry grows disillusioned when she fails to produce a male heir, becoming susceptible to court intrigues against her. Anne is eventually accused of adultery, incest, and treason by political enemies at court, leading to her imprisonment in the Tower of London. Despite maintaining her innocence, Anne is tried and convicted, ultimately facing execution by beheading as Henry moves on to his next wife.
This was one of Lubitsch's final German films before his move to Hollywood in 1922. The production featured elaborate sets and costumes designed to recreate the Tudor court with historical accuracy. Emil Jannings underwent significant makeup and costume transformations to portray the aging Henry VIII. The film was part of a series of historical epics Lubitsch made in Germany that showcased his developing visual style and attention to historical detail.
'Anna Boleyn' was produced in 1920 during the Weimar Republic period, a time of significant political upheaval, economic hardship, and cultural flourishing in Germany following World War I. The film industry was one of the few German industries that was thriving during this period, with German films gaining international recognition for their technical innovation and artistic quality. Historical films like 'Anna Boleyn' were particularly popular during this era as they offered audiences an escape from contemporary troubles while also providing commentary on power, corruption, and political intrigue that resonated with the German experience of the time. The film's focus on a monarch's absolute power and its destructive consequences would have had particular resonance for German audiences who had recently experienced the collapse of the Kaiserreich and the establishment of a republic. The film was also made during a period when German cinema was establishing itself as a major cultural force internationally, with directors like Lubitsch gaining recognition for their distinctive visual styles and narrative techniques that would influence cinema worldwide.
'Anna Boleyn' represents an important milestone in the career of Ernst Lubitsch and in the development of international cinema. The film showcases the emerging 'Lubitsch Touch' – his distinctive blend of wit, elegance, and visual sophistication – even in a serious historical drama. The film was significant in establishing Lubitsch's international reputation, directly leading to his invitation to work in Hollywood where he would become one of the most celebrated directors of his era. It also contributed to the popularity of historical epics in the 1920s, demonstrating how historical subjects could be used to explore contemporary themes of power, gender, and political manipulation. The film's success in international markets helped establish German cinema's reputation for quality and innovation during the Weimar period. Additionally, the performances of Emil Jannings and Henny Porten in this film contributed to their status as major international stars, with Jannings later becoming the first recipient of the Academy Award for Best Actor. The film's visual style and approach to historical storytelling influenced subsequent historical films in both Germany and Hollywood, particularly in its balance of spectacle and intimate human drama.
The production of 'Anna Boleyn' took place during the Golden Age of German cinema, a period of remarkable creativity and technical innovation. Ernst Lubitsch, already established as a major director in Germany, brought his meticulous attention to detail and visual storytelling to this historical drama. The casting of Emil Jannings as Henry VIII was particularly significant, as Jannings was renowned for his ability to transform physically and psychologically for his roles. For this film, Jannings underwent extensive makeup application to age him appropriately for the role of the increasingly corpulent and tyrannical king. Henny Porten, who played Anne Boleyn, was not only a major star but also had significant creative input in her films, which was unusual for actresses of the time. The production faced challenges in recreating 16th-century England on German studio sets, but the design team led by Ernst Stern created elaborate and historically detailed sets that impressed contemporary critics. Lubitsch was known for his perfectionism on set, often requiring multiple takes to achieve the precise emotional tone and visual composition he wanted. The film's success was due in part to Lubitsch's ability to blend historical spectacle with intimate character drama, making the historical figures relatable to contemporary audiences while maintaining the grandeur expected of a historical epic.
The cinematography of 'Anna Boleyn' reflects the sophisticated visual style that was characteristic of German cinema during the Weimar period. The film features elaborate lighting schemes that create dramatic shadows and highlights, enhancing the emotional intensity of key scenes and reinforcing the psychological states of the characters. The camera work includes innovative techniques for the time, including tracking shots and dynamic camera movements that add visual interest and emotional impact to the narrative. The composition of shots is carefully considered, with the use of architectural elements and spatial relationships to reinforce the power dynamics between characters, particularly in scenes between Henry VIII and Anne Boleyn. The film's visual style also includes elaborate set designs and costumes that recreate the Tudor period with historical accuracy while also serving the dramatic needs of the story. The cinematography contributes significantly to the film's emotional impact, using visual techniques to convey the psychological states of the characters and the dramatic tension of the narrative, particularly in the climactic scenes of Anne's trial and execution.
'Anna Boleyn' showcased several technical achievements that were notable for its time. The film's elaborate set designs and costumes demonstrated the German film industry's ability to produce historical spectacles on a grand scale, with particular attention to historical accuracy in recreating the Tudor court. The lighting techniques used in the film were innovative for the period, creating dramatic visual effects that enhanced the emotional impact of the story, particularly in scenes of confrontation and emotional intensity. The camera work included tracking shots and dynamic movements that were technically challenging but effective in creating visual interest and dramatic tension. The film's editing techniques, particularly in the dramatic sequences, demonstrated a sophisticated understanding of cinematic rhythm and pacing. The film also featured special effects and makeup techniques that were advanced for the time, particularly in the transformation of Emil Jannings into the aging Henry VIII. These technical achievements contributed to the film's critical acclaim and commercial success, and demonstrated the technical sophistication of German cinema during the Weimar period, helping establish its reputation for innovation and quality.
As a silent film, 'Anna Boleyn' would have been accompanied by live musical performance during its original theatrical run. While the specific musical score used for the film is not well-documented, it would have been typical for a film of this scale and importance to have an original score or a compilation of classical music specifically arranged for the film. The music would have been performed by an orchestra in larger theaters or by a pianist or organist in smaller venues. The score would have been designed to enhance the emotional impact of the film, underscoring the dramatic moments and contributing to the overall atmosphere of the production. The music would have been particularly important in conveying the emotional states of the characters and the dramatic tension of the story, given that there was no spoken dialogue in the film. The musical accompaniment would have varied between theaters, with each venue providing their own interpretation of appropriate music for the film's various scenes, from the romantic moments between Henry and Anne to the dramatic tension of Anne's trial and execution.
Though a silent film, intertitles would have included key declarations such as Henry's obsession: 'I must have this woman, though it tear the kingdom apart'
Anne's defiance: 'I am Queen of England, and I will not bow to false accusations'
The court's judgment: 'Anne Boleyn, you are sentenced to death for treason against your King and country'
Henry's regret: 'What have I done in the name of desire?'
Anne's final words: 'I die a Queen of England, but innocent of the crimes laid against me'
Contemporary critics praised 'Anna Boleyn' for its dramatic intensity, visual sophistication, and powerful performances. Emil Jannings' portrayal of Henry VIII was particularly acclaimed for its psychological depth and physical transformation, with critics noting how he conveyed both the king's tyrannical nature and his vulnerability to obsession. Critics highlighted Lubitsch's skill in balancing historical spectacle with intimate character moments, creating a film that was both grand in scale and emotionally engaging. The film's visual style, including its use of lighting, composition, and camera movement, was praised for its artistic quality and technical innovation. Modern critics and film historians view 'Anna Boleyn' as an important example of Lubitsch's early work, showing the development of his distinctive directorial style before his move to Hollywood. The film is often cited as an example of the quality and sophistication of German cinema during the Weimar period, demonstrating how German filmmakers were pushing the boundaries of cinematic art and technique in the early 1920s.
'Anna Boleyn' was well-received by audiences both in Germany and internationally, contributing to Lubitsch's growing reputation as a director of international stature. The film's dramatic story of love, power, and betrayal resonated with contemporary audiences, and the performances of the star cast drew crowds to theaters throughout Germany. The film's success in international markets, particularly in the United States where it was released as 'Deception,' demonstrated the growing appeal of German films to global audiences. The combination of historical spectacle and emotional drama proved particularly appealing to audiences of the time, who were drawn to films that offered both visual grandeur and compelling human stories. The film's box office success helped establish it as one of the significant German film productions of 1920 and contributed to the growing recognition of German cinema as a major cultural force in the early 1920s. Audience reactions to the film's tragic ending and Anne Boleyn's fate were particularly strong, with many viewers moved by the emotional intensity of the final scenes.
Unfortunately, 'Anna Boleyn' is considered a partially lost film, with only fragments and selected scenes surviving to the present day. The film has been partially reconstructed from surviving materials held by various film archives, particularly in Germany and the United States, but it is not available in its complete original form. The surviving elements have been preserved by film archives including the Bundesarchiv-Filmarchiv in Berlin and the Museum of Modern Art in New York. Efforts have been made to restore and preserve the surviving footage, but the film as originally released is not available in its entirety. The partial loss of this significant Lubitsch film represents a tragic gap in the preservation of early German cinema and Lubitsch's filmography, as it was one of his most acclaimed German productions before his move to Hollywood.