
College roommates Eddie (Elliott Nugent) and Biff (Robert Montgomery) are star football players and best friends at their university until they both fall for the same beautiful coed, Babs (Sally Starr). Their friendship becomes strained as they compete for her affection, leading to various comedic and dramatic situations on and off the football field. The film follows their rivalry through college life, including parties, classes, and football games, with musical numbers interspersed throughout. Eventually, the friends must reconcile their differences when their football team faces a crucial championship game that requires their cooperation. The film culminates in a resolution where friendship triumphs over romantic rivalry, and the characters learn valuable lessons about loyalty and maturity.
This was one of MGM's early experiments with full-synchronized sound musical comedy. The film was produced during the critical transition period from silent to sound cinema, when studios were rapidly adapting to new technology. The production incorporated both dialogue and musical numbers, requiring complex sound recording equipment that was still in its infancy. The football sequences were particularly challenging to film with sound equipment, as the microphones had to be carefully placed to capture both action and dialogue.
1929 was a pivotal year in American cinema and history. The film was released just months before the stock market crash of October 1929, which would usher in the Great Depression and dramatically change the film industry. The transition to sound was revolutionizing Hollywood, with studios scrambling to convert their productions and theaters to accommodate the new technology. College films were extremely popular during this period, reflecting America's fascination with higher education and the carefree lifestyle of youth before the harsh realities of the Depression set in. The film captures the optimistic spirit of the Roaring Twenties, with its emphasis on college life, sports, and romantic comedy, representing a final burst of pre-Depression exuberance. The movie also reflects the changing social dynamics of the era, with college becoming increasingly accessible and representing upward mobility for many Americans.
So This Is College holds significance as an early example of the college musical genre that would flourish throughout the 1930s. The film helped establish many of the tropes that would become standard in college films: the rivalry between friends over a girl, the importance of the big game, and the musical numbers that express student life. It represents an important transitional work in cinema history, demonstrating how studios were adapting to sound technology while still incorporating visual storytelling techniques from the silent era. The film also reflects the cultural importance of college football in American society during the 1920s, when the sport was rapidly growing in popularity. As one of Robert Montgomery's early starring roles, it marks the beginning of a career that would make him one of the most popular leading men of the 1930s and 1940s.
The production of 'So This Is College' occurred during one of the most tumultuous periods in Hollywood history - the transition from silent films to talkies. MGM invested heavily in sound technology, and this film was one of their early showcases for the new medium. The cast had to adapt to the challenges of early sound recording, including staying close to hidden microphones and speaking clearly without the exaggerated gestures common in silent films. The musical numbers presented particular technical difficulties, as the orchestra had to be recorded simultaneously with the performers, a process that required precise timing and coordination. Director Sam Wood, who had begun his career in silent films, had to quickly learn the new techniques required for sound production. The football sequences were especially complex to stage, as the early sound equipment was bulky and immobile, limiting camera movement. The film's success helped demonstrate that musical comedies could be profitable in the new sound era, encouraging MGM to produce more films in this genre.
The cinematography by Leonard Smith reflects the transitional nature of early sound films. The camera work is more static than in late silent films, as the early sound recording equipment limited camera movement. However, Smith manages to create visual interest through careful composition and lighting, particularly in the musical numbers and football sequences. The film uses a combination of long shots and medium shots to establish the college setting and capture the action on the football field. The lighting techniques show the influence of silent film aesthetics, with dramatic use of shadows and highlights in interior scenes. The cinematography successfully balances the technical constraints of early sound recording with the visual storytelling needs of the narrative, creating a look that is both functional and artistically pleasing for its time.
The film represents an important technical achievement in early sound cinema. It was one of the first productions to successfully integrate dialogue, music, and sound effects in a feature-length narrative. The Western Electric sound-on-film system used by MGM for this production was state-of-the-art for its time, allowing for better synchronization between picture and sound than earlier sound-on-disc systems. The musical numbers presented particular technical challenges, requiring the careful placement of microphones to capture both vocals and instruments while minimizing background noise. The football sequences demonstrated innovative solutions for recording outdoor action with sound equipment, which was typically designed for studio use. The film also experimented with early techniques for post-production sound mixing, combining live recordings with pre-recorded musical elements. These technical innovations helped establish standards that would influence sound recording in cinema for years to come.
The film features several musical numbers composed by various songwriters of the era, performed primarily by Cliff Edwards. The soundtrack includes both original songs written for the film and popular contemporary tunes. Edwards performs with his signature ukulele accompaniment, showcasing the musical style that made him famous. The musical numbers are integrated into the narrative as performances at college events or spontaneous expressions of character emotions. The score also includes background music that enhances the dramatic and comedic moments of the film. As an early sound production, the film uses music extensively to demonstrate the capabilities of the new sound technology, with the recording quality reflecting the technical limitations of the period but still managing to capture the energy and enthusiasm of the performances.
Contemporary critics generally praised the film as an entertaining example of the new sound musical comedy genre. The New York Times noted its lively musical numbers and the chemistry between the leads, particularly highlighting Robert Montgomery's screen presence. Variety magazine called it 'a pleasant college romp with some good musical interludes.' Modern critics view the film primarily as a historical artifact, valuable for its place in the transition to sound and as an early example of the college film genre. While some of the humor and situations may seem dated to contemporary audiences, film historians appreciate the film's technical achievements in early sound recording and its role in establishing conventions that would influence countless later college films. The performances, particularly by Montgomery and Edwards, are often cited as examples of early sound acting that successfully bridged the gap between silent and talking film techniques.
The film was generally well-received by audiences in 1929, who were still excited by the novelty of sound films and musicals. College students and young adults particularly enjoyed the film's depiction of campus life, which resonated with their own experiences or aspirations. The musical numbers performed by Cliff Edwards were especially popular, as his ukulele playing and distinctive voice were already familiar to audiences from his radio appearances and recordings. The football sequences appealed to sports fans, while the romantic comedy elements attracted the typical moviegoing audience. The film's success at the box office encouraged MGM to produce more college-themed musicals throughout the early 1930s. While the film may not have achieved blockbuster status, it performed solidly enough to be considered a successful production for MGM during this experimental period of sound cinema.