So This Is College

"Coed Babs splits college buddies Eddie and Biff"

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About this film

Scheming coed Babs comes between college buddies Eddie and Biff.

Cast & crew

More about this film

About the production

Release dateSeptember 14, 1929
ProductionMetro-Goldwyn-Mayer (MGM)
Filmed inMGM Studios, Culver City, California

This was one of MGM's early experiments with full-synchronized sound musical comedy. The film was produced during the critical transition period from silent to sound cinema, when studios were rapidly adapting to new technology. The production incorporated both dialogue and musical numbers, requiring complex sound recording equipment that was still in its infancy. The football sequences were particularly challenging to film with sound equipment, as the microphones had to be carefully placed to capture both action and dialogue.

Themes

Friendship and loyaltyComing of ageCollege lifeRomantic rivalryTeamwork and sportsmanship

Themes & topics

collegefootballroommateslove trianglemusicalfriendshipcompetitioncampus liferomancesports

Historical background

Made during the silent-to-sound transition near 1929, So This Is College reached audiences through theatrical programs, fairground booths, or specialized distribution channels typical of its generation. Scheming coed Babs comes between college buddies Eddie and. Historians now read such works for what they reveal about production methods, national taste, and the expanding vocabulary of screen narrative.

Why this film matters

Archivists and programmers still screen So This Is College when tracing how popular entertainment evolved. Its subject—scheming coed babs comes between college buddies eddie and—gives later viewers tangible evidence of what drew crowds in the silent period. Home video, restorations, and festival sidebars keep the title circulating among students of film history.

Making of

The production of 'So This Is College' occurred during among the leading tumultuous periods in Hollywood history - the transition from silent films to talkies. MGM invested heavily in sound technology, and this film was one of their early showcases for the new medium. The cast had to adapt to the challenges of early sound recording, including staying close to hidden microphones and speaking clearly without the exaggerated gestures common in silent films. The musical numbers presented particular technical difficulties, as the orchestra had to be recorded simultaneously with the performers, a process that required precise timing and coordination. Director Sam Wood, who had begun his career in silent films, had to quickly learn the new techniques required for sound production. The football sequences were especially complex to stage, as the early sound equipment was bulky and immobile, limiting camera movement. The film's success helped demonstrate that musical comedies could be profitable in the new sound era, encouraging MGM to produce more films in this genre.

What critics said

Original trade coverage treated So This Is College as routine program filler rather than a landmark production—typical of steady studio output. Later criticism emphasizes preservation, stylistic comparison with contemporaries, and whatever cast or crew names later gained prominence. Contemporary writing is mostly historical: assessing completeness, influence, and place in a director's or studio's catalog.

Did you know?

  • This was Robert Montgomery's second film appearance and one of his earliest leading roles, helping launch his successful career as a romantic leading man.
  • Cliff Edwards, known as 'Ukulele Ike,' performs several musical numbers and would later gain lasting fame as the voice of Jiminy Cricket in Disney's 'Pinocchio' (1940).
  • The film was released during the height of the college film craze of the late 1920s, capitalizing on the public's fascination with campus life.
  • Director Sam Wood would go on to direct many Hollywood classics including 'A Night at the Opera' (1935) and 'For Whom the Bell Tolls' (1943).
  • The football sequences were filmed using actual college football players as extras to ensure authenticity.
  • This was one of the first films to use the new Western Electric sound recording system that MGM had recently adopted.
  • The film's success helped establish the college musical as a viable genre during the early sound era.
  • Elliott Nugent, who plays Eddie, was also a successful playwright and would later become a film director himself.
  • The movie was originally conceived as a silent film but was quickly adapted to include sound when MGM decided to embrace the new technology.
  • The campus scenes were shot on MGM's backlot, where an elaborate college set was constructed specifically for this film and several other college-themed productions.

Visual style

The cinematography by Leonard Smith reflects the transitional nature of early sound films. The camera work is more static than in late silent films, as the early sound recording equipment limited camera movement. However, Smith manages to create visual interest through careful composition and lighting, particularly in the musical numbers and football sequences. The film uses a combination of long shots and medium shots to establish the college setting and capture the action on the football field. The lighting techniques show the influence of silent film aesthetics, with dramatic use of shadows and highlights in interior scenes. The cinematography successfully balances the technical constraints of early sound recording with the visual storytelling needs of the narrative, creating a look that is both functional and artistically pleasing for its time.

Innovations

The film represents an important technical achievement in early sound cinema. It was one of the first productions to successfully integrate dialogue, music, and sound effects in a feature-length narrative. The Western Electric sound-on-film system used by MGM for this production was state-of-the-art for its time, allowing for better synchronization between picture and sound than earlier sound-on-disc systems. The musical numbers presented particular technical challenges, requiring the careful placement of microphones to capture both vocals and instruments while minimizing background noise. The football sequences demonstrated innovative solutions for recording outdoor action with sound equipment, which was typically designed for studio use. The film also experimented with early techniques for post-production sound mixing, combining live recordings with pre-recorded musical elements. These technical innovations helped establish standards that would influence sound recording in cinema for years to come.

Music

The film features several musical numbers composed by various songwriters of the era, performed primarily by Cliff Edwards. The soundtrack includes both original songs written for the film and popular contemporary tunes. Edwards performs with his signature ukulele accompaniment, showcasing the musical style that made him famous. The musical numbers are integrated into the narrative as performances at college events or spontaneous expressions of character emotions. The score also includes background music that enhances the dramatic and comedic moments of the film. As an early sound production, the film uses music extensively to demonstrate the capabilities of the new sound technology, with the recording quality reflecting the technical limitations of the period but still managing to capture the energy and enthusiasm of the performances.

What audiences thought

The film was generally well-received by audiences in 1929, who were still excited by the novelty of sound films and musicals. College students and young adults particularly enjoyed the film's depiction of campus life, which resonated with their own experiences or aspirations. The musical numbers performed by Cliff Edwards were especially popular, as his ukulele playing and distinctive voice were already familiar to audiences from his radio appearances and recordings. The football sequences appealed to sports fans, while the romantic comedy elements attracted the typical moviegoing audience. The film's success at the box office encouraged MGM to produce more college-themed musicals throughout the early 1930s. While the film may not have achieved blockbuster status, it performed solidly enough to be considered a successful production for MGM during this experimental period of sound cinema.

Film connections

Influenced by

  • College films of the silent era
  • Broadway musical comedies
  • Popular college songs of the 1920s

This film influenced

  • The Freshman
  • Horse Feathers
  • College Swing
  • Best Years of Our Lives
  • similarFilms

Where to watch

  • Wikimedia Commons: https://commons.wikimedia.org/wiki/File:So%20This%20Is%20College%20(1929).webm