Alice Guy Films a 'Phonoscène' in the Studio at Buttes-Chaumont, Paris

1905 Documentary 2 minutes 3 seconds Directed by Alice Guy-Blaché

About Alice Guy Films a 'Phonoscène' in the Studio at Buttes-Chaumont, Paris

At the Gaumont pose theater in Buttes-Chaumont, a camera behind Alice Guy records her directing a phonoscène. An assistant in dark glasses rehearses the singers beside the horns. The number they are setting is the Capulet ball from Gounod's Roméo et Juliette.

Cast & crew

More about Alice Guy Films a 'Phonoscène' in the Studio at Buttes-Chaumont, Paris

The Cinémathèque française files the reel as anonymous, not as a film Guy directed, and dates it 9 January 1907, number 300 in the Gaumont phonoscène catalog. Numbers 301 and 302 are the other Roméo et Juliette phonoscènes. A 2K scan was made in 2014 from a Gaumont printing element.

Themes

  • A director seen from behind
  • The Capulet ball, not Mignon
  • Horns beside the camera
  • Alice Guy
  • phonoscène
  • Buttes-Chaumont
  • Étienne Arnaud
  • Gounod
  • Elgéphone

Background

Through 1906 and into spring 1907, Guy's job at Gaumont was the chronophone phonoscènes, short pictures built to match a disc.

Making

The camera stays on Guy's back and on the rehearsal. It does not cut to the finished chronophone number.

Technique

The studio camera sits on a mobile cast-iron stand next to an Elgéphone driven by compressed air. The Cinémathèque notes that these cameras still could not record the voices directly.

Music

This making-of is silent. The phonoscène she is directing was built to run in sync with a phonograph, and the Elgéphone and two horns are in the frame.

Preservation

A Gaumont printing element was scanned in 2K in 2014 for the Cinémathèque française.

Notes

  • Guy later said the singers were doing an excerpt from the opera Mignon. The Cinémathèque identifies the ballet as the Capulet ball instead.
  • The assistant in dark glasses, shielding his eyes from the lamps, is probably Étienne Arnaud, who later directed.
  • The Cinémathèque calls it one of the first making-ofs, and the first one built around the first woman to direct.
  • Gaumont Pathé Archives supplied the element. Manuela Padoan and Agnès Bertola are thanked on the Cinémathèque record.

Scenes

  • Guy, seen from the back, directs the singers.
  • Arnaud, in dark glasses, places the actors beside the horns.

Also available

  • Internet Archive (silent-alice-guy-films-a-phonoscne-in-the-studio-at-buttes-chaumont-paris)