
Actor & Director
Mikhail Ivanovich Zharov was a prominent Soviet actor and director whose career spanned from the silent era through the early Soviet sound period. Beginning his film career in 1915, Zharov quickly established himself as a versatile character actor in the burgeoning Russian film industry. He appeared in numerous significant silent films including the historical epic 'Tsar Ivan Vasilevich The Terrible' (1915) and the influential comedy 'The Cigarette Girl of Mosselprom' (1924). His performance in 'Chess Fever' (1925) showcased his comedic timing and ability to work within avant-garde Soviet cinema. Throughout the 1920s, he continued to build his reputation with roles in 'The Man from the Restaurant' (1927) and 'The White Eagle' (1928), demonstrating remarkable range across different genres. As the Soviet film industry transitioned to sound, Zharov adapted successfully and eventually moved into directing, helming 'A Noisy Household' in 1946. His career reflected the evolution of Soviet cinema itself, from the experimental silent period through the establishment of socialist realism in the 1930s and 1940s.
Zharov was known for his versatile character acting, capable of both dramatic intensity and comedic timing. His performances in silent films demonstrated exceptional physical expressiveness and the ability to convey complex emotions through gesture and facial expression. He had a particular talent for playing both aristocratic and common characters with equal authenticity, often bringing depth to supporting roles that elevated the entire production. His transition to sound cinema was seamless, with his distinctive voice and diction adding another dimension to his characterizations.
As a director, Zharov favored realistic portrayals of Soviet life with touches of humanistic comedy. His directorial work, particularly in 'A Noisy Household', showed an understanding of ensemble casting and the ability to extract naturalistic performances from actors. He maintained the theatrical traditions of his early career while embracing cinematic techniques that served the narrative.
Mikhail Zharov played a significant role in the development of Soviet cinema during its formative years. His work in silent films helped establish the language of Soviet cinematic comedy and drama, influencing generations of actors who followed. His performances in films like 'The Cigarette Girl of Mosselprom' and 'Chess Fever' became part of the foundation of Soviet film comedy, blending satirical elements with humanistic storytelling. Zharov's ability to transition from the experimental silent era to the more ideologically rigid socialist realist period demonstrated his adaptability and commitment to his craft.
Zharov's legacy lies in his contributions to both silent and early sound Soviet cinema, as well as his work in theater. He represents the bridge between the revolutionary artistic experimentation of the 1920s and the more structured Soviet film industry of the 1930s and 1940s. His films continue to be studied by film historians as examples of early Soviet cinematic achievements, and his performances are regarded as masterclasses in character acting within the constraints of the Soviet system.
Zharov influenced subsequent generations of Soviet actors through his work at the Moscow Art Theatre and his film performances. His approach to character development and his ability to work across genres served as a model for actors navigating the changing demands of Soviet cinema. Many younger actors studied his techniques for transitioning between comedy and drama, a skill particularly valuable in Soviet film production.
Mikhail Zharov was married twice during his lifetime. His first marriage was to actress Vera Maretskaya, though this union ended in divorce. He later married actress Olga Androvskaya, with whom he shared both personal and professional life. The couple often performed together in theater productions and occasionally in films. Zharov was known for his dedication to the craft of acting and his commitment to Soviet cultural values throughout his career.
Graduated from the Moscow Art Theatre School in the early 1920s
The actor must serve the truth of the character, not the ego of the performer
In both comedy and tragedy, the key is finding the humanity in every role
Silent film taught me that every gesture must have meaning
The theater is our home, but cinema is our window to the world
Mikhail Zharov was a prominent Soviet actor and director who worked from the silent era through the mid-20th century. He was known for his versatile character performances in both comedies and dramas, and later became a respected director of Soviet films.
Zharov is best known for his roles in silent classics like 'The Cigarette Girl of Mosselprom' (1924), 'Chess Fever' (1925), 'The Man from the Restaurant' (1927), and 'The White Eagle' (1928). He also directed 'A Noisy Household' (1946).
Mikhail Zharov was born on October 27, 1899, in Moscow, Russian Empire, and died on January 15, 1981, in Moscow, Soviet Union, at the age of 81.
Zharov received numerous prestigious awards including the title of People's Artist of the USSR (1949), two Stalin Prizes (1942 and 1951), the Order of Lenin, and the Order of the Red Banner of Labour.
Zharov was known for his versatile character acting with exceptional physical expressiveness in silent films and naturalistic delivery in sound films. He excelled at both comedy and drama, bringing depth to supporting roles and adapting seamlessly to the transition from silent to sound cinema.
26 films

























